Okay, okay, these lovely burlesque dancers are still pretty modest by today’s standards, but I find the primness of the steam era often overshadows the diversity of human experience. People were engaging in all kinds of behaviors and enjoying many different forms of entertainment back then the same way they do now. I ran across this collection of photos on The Daily Mail, and I couldn’t wait to share them with you! (For the Daily Mail article click here.)
In case you haven’t checked my About the Author page yet, I first learned about Steampunk because I have a friend who is a burlesque dancer and she was in a themed show a few years ago. She taught me both about burlesque and Steampunk before I saw her show and I am definitely hooked on both now. Going to see a burlesque show is not at all the same as going to a strip club. The word has its roots in the italian word, burla, meaning “mockery”, and has more in common with a vaudeville show than a seedy bar. Though it is true that people remove their clothing for the sake of entertainment, you will often see jugglers, magicians, comedians, singers and dancers in addition to the main event. The tone of a burlesque strip tease is also totally different than say, a lap dance at a bachelor party. Burlesque dancers actively engage the audience and solicit applause for each piece they remove before they will move on. There is a flirty exchange between dancer and onlookers, and I have seen several acts that are totally tongue in cheek and are as much about making the crowd laugh as it is about undressing.
If you have never been to a show, I absolutely encourage you to see one. I have been to several shows in two different countries and it is always a great time.
Fun Facts and Context
- Le Tour du monde en quatre-vingts jours was Jules Verne’s 11th novel, and like many of the time it was first presented in a serialized format before it was compiled into a book in 1873. It was accompanied by the illustrations of Alphonse de Neuville, a French painter known for his depictions of the Franco-Prussian War (1870-1871).
- Verne served in the Franco-Prussian War, and doing research for this book likely served to take his mind off of those events.
- The dates of Fogg’s return to England coincided with the final date of publication for the original serial. Because of this, some readers believed they were reading a real travelogue rather than a fictional story.
- Many people associate a hot air balloon trip with this story, but in fact there was no balloon in the original text. This is likely because the 1956 Disney film added an additional stop in Spain to the tale and the protagonists reached it by balloon. Jules Verne did write about a daring escape by balloon, but it wasn’t until The Mysterious Island was published in 1874.
Timeline and Synopsis of the Story
- September 28, 1872: Bank of England is robbed. 50,000 GBP is stolen. This is the equivalent of four million GBP or 6.2 million USD today.
- October 1, 1872: Phileas Fogg hires Passepartout as his new valet after his old valet gets the temperature of his shaving water wrong. Fogg goes from his home on Savile Row to the Reform Club as usual, and during a discussion about a new stretch of railroad in India he is drawn into a bet with his friends. With the hefty sum of 20,000 GBP (1.6 million today) on the line, he agrees to travel around the world and return at the same time 80 days later on December 21, 1872.
- October 2, 1872: Fogg and Passepartout leave England by train.
- October 9, 1872: After a brief stopover in France, the travelers reach Suez, Egypt and meet Detective Fix for the first time. He is on the trail of the bank robber, and Fogg’s erratic behavior and passing resemblance to the vague description of the burglar make him a suspect. They leave Suez by ship with Fix in tow.
- October 20, 1872: The travelers arrive in Bombay, India, two days ahead of schedule. Passepartout wanders into a temple and is chased out by the monks for not removing his shoes. He arrives at the platform and boards a train bound for Calcutta just in time.
October 22, 1872: Fogg’s train can go no further because the railway is unfinished, despite what the newspapers say. They manage to hire a guide called Parsee and an elephant named Kiouni to carry them on toward Calcutta.
- October 24, 1872: While traveling through the jungle, the travelers encounter a ceremony where a young bride, Aouda, is being prepared to follow her aged husband into death. She cannot struggle because of the influence of drugs, so she is rescued by Fogg and another traveling companion after Passepartout creates a diversion by posing as the deceased man’s body and “rising from the dead” to scare the natives. They escape by means of their trusty elephant and continue to Calcutta.
- October 25, 1872: The travelers arrive in Calcutta with five hours to spare to remain on their original itinerary despite the delay. As soon as they arrive Passepartout is arrested for his transgression in Bombay and both he and Fogg are taken into custody. They use some of Fogg’s considerable cash resources to pay off his valet’s debt and make the noon ship bound for Hong Kong. Aouda continues on the journey because India is no longer safe for her, and she knows of family living in China. Fix, still without a warrant but with high hopes for Britain’s Easternmost colony, tags along in secret.
- November 7, 1872: The travelers arrive in Hong Kong. Unfortunately, Aouda’s family member had already moved away from Hong Kong years earlier. While out getting supplies for the next step of the journey, Passepartout gets news of an earlier departure time for their vessel. Fix still has not received his warrant for Fogg’s arrest and is determined to keep him from leaving British soil. Fix invites Passepartout out for a farewell drink and gets him to try opium. The valet becomes so besotted that he falls asleep and Fogg does not hear about the new travel arrangements. In his delirium, Passepartout says the name of the disembarking ship and is brought there and installed in his master’s cabin. He awakes the next morning to find that he has left his master behind, but determined to rejoin him somewhere along his route and alert him to the danger that Fix represents. Fogg hires a small vessel called the Tankadere to carry he and Aouda to Shanghai to catch the ferry to Yokohama at its next port.
- November 13, 1872: Passepartout arrives penniless in Yokohama, Japan. He seeks for ways to continue his journey to America to intercept Fogg by offering his services to the owner of a traveling circus. He is hired as an acrobat and during his first performance is astounded to see Fogg and Aouda in the audience, having also arrived in Yokohama after flagging down the American vessel in the port of Shanghai. Fix continues to travel with Fogg, who is covering all of his expenses.
- November 23, 1872: Fogg and company pass the 180th meridian, which marks the halfway point of their circumnavigation of the planet.
- December 3, 1872: The travelers reach San Francisco and are caught up in a political rally where Fogg has a confrontation with an American named Colonel Stamp Proctor. Fix steps in to help because he needs Fogg to return to England before he can be arrested. The company boards a train that evening intent upon using the Transcontinental Railway to reach New York.
- December 7, 1872: Fogg runs into Colonel Proctor on the train and a duel ensues. It is interrupted by an attack on the train by the Sioux tribe. Passepartout is taken hostage and Fogg, Fix and Aouda are left behind when the train continues on its route as they attempt to devise a rescue mission. With the help of American soldiers stationed nearby, Fogg retrieves Passepartout and the travelers are forced to continue by way of a wind-powered sledge to Omaha in hopes of catching another train.
- December 9, 1872: Arrive in Omaha and board a train for Chicago.
- December 10, 1872: Arrive in Chicago and board a train for New York.
- December 11, 1872: Arrive 45 minutes late for their steamship from New York to Liverpool.
- December 12, 1872: The party boards a ship bound for Bordeaux with little hope of arriving in London before the December 21 deadline, but it is the only ship leaving with a destination even close to England.
- December 16, 1872: Fogg proceeds to buy the ship from the captain and throw all of the wooden parts into the furnace to fuel their journey. He redirects the ship to bring them to Liverpool, England.
- December 21, 1872: With six hours to reach London in order to win the bet, Fogg and co. arrive in Liverpool. They would have just enough time to beat their deadline, but now that they have finally arrived on English soil, Fix arrests Fogg. It doesn’t take long to find out the real bank robber had been caught during the mad dash around the world, but the short delay is just enough to lose the wager for Fogg. He arrives in London 5 minutes late.
- Actually, December 21, 1872: The party gained an entire day during their journey, but they have yet to realize it. Aouda proposes marriage to Fogg and he heartily accepts. They intend to marry that very day and send Passepartout for the parson. When he arrives at the parson’s door he says he cannot perform the ceremony at that time because it is Sunday and he was busy on church business. Passepartout races back to Savile Row and whisks Fogg away to the Reform Club, where he arrives exactly on time to win the wager.
References in Steampunk Literature and Other Media
- Philip Jose Farmer wrote The Other Log of Phileas Fogg as part of his Wold Newton Universe. In it, Fogg is the foster child of an alien and Captain Nemo is aligned with another race of aliens. The bet and journey around the world were an elaborate cover story to disguise Fogg’s quest for an alien artefact that would change the tide of the war between the two competing races.
- It has been adapted for film five times since 1919, the most recent being in 2004, where martial arts expert and comedic actor Jackie Chan played Passepartout opposite Steven Coogan (Night at the Museum, Despicable Me 2) as Phileas Fogg in a new adaptation of the novel.
- It has been adapted for television four times since 1972, including a Japanese version where all the characters are animals.
- It was adapted for the stage for the first time in 2001 by Mark Brown. He has also written a sequel for the stage for another Victorian classic in the form of The Trial of Ebenezer Scrooge.
- In 2014, a game called “80 Days” was launched by Inkle Development Company. It is an interactive game that blends the story and retro-futuristic technology.
- Also in 2014, Ben Steele released a version of Around the World in 80 Days (a Steampunk Reimagining) with illustrations by Josh Ross. It includes “lost” content and a board game.
- The International Steampunk Symposium in April of 2015 is going to feature the theme “Around the World in 48 Hours” as an homage to Verne’s work.
I recently ran across and article by Thomas Rogers in Salon magazine from 2012 that was an interview with Hanne Blank, the author of Straight: A Surprisingly Short History of Heterosexuality. I knew that “homosexual” was a relatively new word in our vocabulary, but I had never really thought about its counterpart, “heterosexual.” The article is all about the history of this word and the baggage that got attached to it by psychiatrists and evolutionary scientists in the early days of their crafts, aka the time period that much of Steampunk occupies. I haven’t had a chance to read Blank’s book, but I wanted to pass on a summary of the article.
The terms “homosexual” and “heterosexual” appear at the same time. According to Blank’s research, both were the invention of an Austro-Hungarian journalist writing about a piece of Prussian legislation that made certain acts between same-sex people illegal. He was trying to create two categories that were on equal footing as a way to address the hypocrisy of making some acts legal for some people, which the same acts were criminalized for others.
This was sometime in the mid-19th century, but the terminology didn’t really take off until closer to the end of the century. Thanks to the work of Sigmund Schlomo Freud (who is and will always be “Ziggy F” to me) and his acolytes during the 1880’s and 1890’s, people were suddenly being diagnosed with all kinds of crazy stuff. In regards to the term “heterosexual” Blank said it perfectly in the interview:
Psychiatry is responsible for creating the heterosexual in largely the same way that it is responsible for creating the various categories of sexual deviance that we are familiar with and recognize and define ourselves in opposition to. The period lasting from the late Victorian era to the first 20 or 30 years of the 20th century was a time of tremendous socioeconomic change, and people desperately wanted to give themselves a valid identity in this new world order. One of the ways people did that was establish themselves as sexually normative.
Ziggy F’s theories are largely a source of giggles nowadays, but when they were shiny and new they carried a lot of weight in society. The Zigster was more or less a narcissist and viewed himself to be the apex of human psychological development. Basically, if you followed his formula for ‘health’ what you arrived at was a heterosexual (and probably white) male. (Women were already hopeless cases according the F-man. He believed we were all born longing for a penis and it just went downhill from there.)
So now let’s bring romance into the equation. Keep in mind that for much of human history, “love” and “marriage” had very little to do with one another. Marriage was more often than not an alliance between families, more akin to a business arrangement than anything based on desire, and procreation was considered part of the bargain. You didn’t have sex with your partner because you WANTED to, you did it as part of your marital duties. Of course, if you desired your partner in addition to meeting the requirements of your contract then bully for you, but being attracted to your partner was not necessary to pass on the family name.
As I am sure you are aware, society at large was undergoing many changes during the Victorian period, and this is probably a big reason you find Steampunk compelling (I know this is true for me!). Cities were drawing people out of the countryside and crushing them together in close quarters. Women and people of color started to demand the right to vote. Workers began to demand better conditions and wages. And anarchists challenged the very fabric of society with their views. And when times get tough, people fall back on the simplest of relationships, the binary. Breaking a complex world into sets of two categories is much easier than investigating the gray area that lies between black and white. As Blank put it, they started to find an identity that proved their validity in a rapidly changing world.
Also, as people started to demand to be allowed to determine their own futures, they had to stop and think for the first time what it was they WANTED from life. So the question of desire and the shift to seeking out a partner because of your feelings of attraction and love came to the forefront of the discussion for the first time.
Blank’s book goes into far more detail and continues to unpack the term “heterosexual” and its relationship to gay, trans and other terminology and notions into to the present day, but I will leave off here. If you would like more information you can read the full interview, or buy the book.
Jack the Ripper is the world’s most famous serial killer, both because of the brutality of the murders and the fact that the crimes are still unsolved. I have seen many Steampunk works make reference to the Whitechapel Murders as a means of situating their stories in time, as well as Jack appearing as a character in movies and books. But with so many interpretations floating around, it can be hard to keep the facts straight, so here is a cheat sheet to help you get it right.(I went on a Jack the Ripper tour while I was in London for my Steam Tour research and you can read about it here.)
- In 1888 there were a string of murders in the Whitechapel District of London. Due to the similarities between the victims, modus of the murders, and the proximity of the crimes they were attributed to the same killer. There are five women who are generally accepted as victims of the same serial killer, but there easily could have been more murders that were never discovered, or there could have been more than one murderer.
- Murder #1: Mary Ann Nichols, killed sometime between 2:30 and 3:30 a.m. on August 30, 1888. She was an alcoholic, which led to her separation from her husband in 1882 and her inability to keep any other job than prostitute. Her throat was cut and her abdomen was mutilated.
- Murder #2: Annie “Dark Annie” Chapman, killed at approximately 5:30 a.m. on September 8, 1888. After the death of one of her children by meningitis, she and her husband both became heavy drinkers and separated in 1884. Her husband was required by law to provide for her welfare, but he died in 1886 from alcohol poisoning. She tried to support herself through crocheting and selling flowers, but was also involved in prostitution.
- Murder #3: Elizabeth “Long Liz” Stride, killed sometime between 12:35 and 1:00 a.m. on September 30, 1888. Her throat was cut and her abdomen was mutilated. The postmortem doctor identified the weapon as a thin knife blade, approximately 6-8 inches in length. Like the other victims she and her husband separated, but she was a prostitute before and after her marriage fell apart. She spoke Yiddish and Swedish in addition to English.
- Murder #4: Catherine Eddowes (aka Kate Conway and Kate Kelly), killed a few hours after Elizabeth Stride on September 30, 1888. She left her first common-law husband, Thomas Conway, and her three children in 1880. Later, she took up with John Kelly and they lived together in a lodging house on Flower Street. The night of her death she was arrested for drunkenness and held at the Bishopsgate police station until approximately 1:30 a.m. Within minutes she was killed on her way home. Her face and her abdomen were mutilated, and a piece of her ear as well as her kidney was taken by the killer.
- Murder #5: Mary Jane “Fair Emma” Kelly (aka “Ginger” and “Black Mary”) was killed November 9, 1888. It is believed that the increase in police patrols accounts for the lag between the deaths of Eddowes and Kelly. Her origin is less well-documented than the other victims, but sources say she was the widow of a coal miner with the surname Davies who died in an explosion around 1881. Like the other victims, she was a drinker and reportedly sang Irish songs while enjoying her gin, so it is believed she hailed from Ireland. Unlike the other victims, she was found murdered in her home around 10:45 a.m. and the time of death was set at between 6 and 8 a.m. that morning. Her body was extensively mutilated, the coroner believed the murderer took more than two hours to complete his task.
- During press coverage, the killer was most often referred to as “The Whitechapel Murderer” or “Leather Apron” because of the aprons worn by butchers. The name “Jack” became connected to the murders after letters began to arrive at news outlets and signed by that name.
- The five canonized Ripper killings occurred between August and November of 1888, but police continued to investigate a total of 11 murders that they suspected were linked up until 1891.
- Historians and hobbyists alike have speculated over the identity of The Ripper, and some sources say as many as 500 different people (including at least one woman) have come under suspicion. Many of these people were not suspects during the actual investigation and that is far too many to talk about here to I will only highlight the most well-known and/or plausible.
- According to some, Jack’s identity was already discovered in 2014—or was it? A silk shawl that supposedly belonged to one of the victims underwent DNA testing starting in 2007. In 2014, a book by Russell Edwards detailed the findings of scientist Jari Louhelainen, who claims to have definitive evidence that identifies Aaron Kominski as the notorious murderer. Kominski came under suspicion in 1888 at the age of 23 and died in a mental institution 30 years later. Unfortunately, Louhelainen made at least two major errors in his analysis that were brought to light in October 2014, rendering the conclusions useless. The search continues.
- Others think that the Jack the Ripper conspiracy went all the way to the highest levels of government. Spoiler alert! In the 2001 Johnny Depp flick called “From Hell,” Jack is in fact Prince Edward “Eddy” Victor, aka “grandson” to queen Victoria. According to the theory, Eddy impregnated a low-class girl (and a Catholic no less!) and to avoid the scandal, the queen ordered the matter be “taken care of.” Annie Crook and her royal offspring are spirited away by the royal physician, John Gull, but her friends like Mary Kelly are making too much noise about the disappearance and must be silenced. The serial killer who hates prostitutes is created to cover the real scandal and claims many victims.
- Others actually suspect John Gull himself as the murderer because of the precision of the cuts made to the victims and the fact that Jack was never caught points to some kind of conspiracy in the minds of many enthusiasts.
- One of the more likely suspects is Seweryn Klosowski (aka George Chapman), a Polish-born Jew who had only been in Whitechapel a short time before the murders began. In 1903 he was convicted on three counts of murder and hanged for killing his wives. This would seem to make him a very good suspect indeed, but he killed his known victims with poison, not brutality, and serial murderers rarely change their modus operandi.
- John Pizer was arrested in 1888 for the murders, but was later let go because he had alibis (including talking to a policeman) during two of the five canonical murders. The Sergeant who arrested him, William Thicke, allegedly had personal animosity against Pizer and no evidence whatsoever. Pizer sought reparations from at least one of the news outlets that reported he was the murderer. Thicke was later accused as being The Ripper in a letter sent to The Home Office, but this was likely a hoax and was never followed up on by the authorities.
- Gotham by Gaslight (1989) pits Jack against Batman in Gotham City.
- In the Steampunk Chronicles series by Kady Cross, Jack is a character.
- Ripper (2012), by Stefan Petrucha, follows the quest of young man from New York City to find his father in London, but instead finds himself in the middle of a murder investigation.
- Ripper (2012), by Amy Carol Reeves, is about a young woman who is volunteering at a Whitechapel hospital and has visions of the Ripper’s murders before they happen.
- “Ripper Street” is a BBC show about rebuilding Whitechapel in the wake of the Ripper killings. It began in 2012 and the third season is airing as of now (January 2015). (Review coming soon!)
- “Time After Time” (1979) Jack the Ripper uses H. G. Wells time machine to escape his own time and is pursued by Wells to San Francisco, CA.
- “From Hell” (2001) Johnny Depp and Heather Graham star in this film that takes its name from one of the famous Ripper letters that were sent to the press.
- “Progress” is a webseries that operates in an alternative Victorian London where there is already a steam-powered internet. You can watch the first three episodes for free at progresstheseries.com.
- A game for Xbox 360 and Microsoft Windows entitled “Sherlock Holmes vs. Jack the Ripper” was released in 2009.
Did I miss and Ripper references, books or movies you know? Please leave a comment so I can add to my list!
Visiting the bridge and looking at the outside is of course free, but visiting The Tower Bridge Exhibition within has a small fee. Visitors begin by going up into the top of the north tower where there is a short introductory video with a screen that blends into the Victorian era props around it. Afterwards you get to move into the tower and enjoy the historical and artistic exhibits on the East and West Walkways. I can’t say that the walkway exhibits were the highlight, but there was some interesting information about the history of bridge construction for “how does it work?” types. (You should go to their website for more info on what exhibits are currently on view.)
They recently installed glass floors on the West Walkway, but this was shortly after my visit in September 2014 so I didn’t get a chance to experience this aspect of the bridge. I can only imagine the incredible view onto the bustling street below, but I can vouch for the panoramic views of the city from the top of the towers!
But for me, the best was yet to come. As part of your exhibition admission, you also get to visit the engine room that used to power the raising of the bridge. So check out The Tower Bridge Part 3: The Inner Workings next time!
Whenever I explain Steampunk to the uninitiated I always find that I have to say, “oh yeah, and also…” at least 4 times to try to encompass everything the genre/aesthetic can cover. I can always get them on board when I go from Jules Verne to punking technology, but then I have to back up and include all of the supernatural creatures that also make regular appearances in Steampunk literature and I often get raised eyebrows in response. But if you know the time period, ghosts, ghouls and other things that go bump in the night fit in directly with the trends of the era.
Ghost stories appear in the folklore of countries all over the world, but ghosts as we think of them today in America and the UK where the majority of Steampunk stories occur have their roots in Spiritualism. Some people treated Spiritualism like a religion, and others viewed it more as a science but either way it is based on the belief that spirits are hanging around waiting to have conversations with the living, and they do so by knocking on tables, moving around objects, and occasionally even taking mediums clothes off. They speak through people who claim a supernatural ability or through the use of hypnotized volunteers (and very rarely say “wooooOOOOoooo”). I learned most of what I know about the Spiritualist movement from a wonderful and funny book by my favorite non-fiction writer and former Wired magazine columnist, Mary Roach. She has written several books worth reading, but for the skinny on communicating (or pretending to communicate) with the dead, you must read Spook: Science Tackles the Afterlife.
Many notable historical Brits like Sir Arthur Conan Doyle and Queen Vicky herself were taken in by the “evidence” of spirits among us. But, most folks point to a happening in New York in 1848 where two sisters supposedly contacted a ghost as the beginning. Four years later, mediums started popping up in England and conducting seances. By the late Victorian period many people claimed to have communicated with the dead, and women dominated the medium business. In a time when class division and a clearly patriarchal society predominated, Spiritualism was movement that crossed these boundaries and brought people from all walks of life into its fold. There were even pamphlets, newspapers and public spectacles for the spiritually-inclined during the 1860s.
One popular thing to do during private parlor sessions was to contact famous people, and Charles Dickens (who died in 1870) was one of the most popular spirits to contact. In addition to speaking through the mouths of mediums, ghosts would sometimes also use a typewriter or the like to pen a message from the beyond. Dickens died before he finished his last novel, and in 1873 an American author claimed to have been contacted by his spirit who dictated the ending of the novel. I wonder if this is the origin of the term “ghost writer?”
Ever heard of ectoplasm? Think of the goo left behind by Slimer from the Ghostbusters. Some folks believed that ghosts could leave a trail of the stuff, or that mediums would extrude it as evidence of spirit possession. Ewwwwww.
For more fun facts about this “spirited” movement, check out the articles on Victoria Web.
The primary reason I wanted to visit the Victoria and Albert Museum was because I heard about the amazing displays of fashion through the ages. There is a really great circular gallery with men’s and women’s clothing, and right now there is also an exhibit on wedding dresses, though that has an extra charge where the rest of the museum is free. It would be a great place to do research for costumes, both to get visual inspiration as well as great background info. My best pictures were mostly of dresses, but there are lots of great suits, boots and hats for the menfolk as well.
You should have been there. The buzz in the ballroom was happy and excited as the DIY models assembled to strut their stuff for a very appreciative audience. I had hoped to get a seat at the end of the runway, but even 10 minutes before the show started it was difficult to find any empty floor space at all, so I had to settle for sitting on the floor seat near the stage. I hope you enjoy the gallery of photos as much as I enjoyed being there, and I also got a chance to shoot a quick video of the models’ final procession right before the judges made their decision.