- Jules Gabriel Verne was born on Feb. 8, 1828 and died from complications of diabetes on Mar. 24 1905.
- He was on track to become a lawyer when he started writing articles and fiction for magazines, as well as penning plays.
- In the English speaking world he was regarded as a children’s writer during his lifetime, probably because of the popularity of his genre fiction, which was often abridged when translated. Nowadays of course he is considered one of the “fathers of science fiction,” along with H. G. Wells. As far as I could find, the two of them never met in person, which isn’t too surprising consider their age gap (Verne was 38 years old when Wells was born).
- Verne’s imagination was captured by travel and the trope of the “castaway” early in his life. As a child, he had a teacher whose husband had been lost at sea and believed he would some day be found living life like Robinson Crusoe (published 1719). He often stranded his characters on islands during their adventures, such as in In Search of Castaways (1867-1868), The Mysterious Island (1874), and Two Years’ Vacation (1888).
- Verne made lots of famous friends during his lifetime. His close relationship to Alexandre Dumas Jr. and Sr. helped him as a playwright early in his career. He was also a buddy of the noted French explorer and geographer Jacques Arago whose accounts of his travels around the globe helped to lead Verne to his path as a travel writer.
- He fell in love with Honorine de Viane Morel, the sister-in-law of a good friend, in 1856. In order to provide enough financial security to marry her, he went into finance. But there was no way Verne was going to totally abandon his first love, his literary career. He woke early in the morning to write before heading to the office.
- Two years later, at the age of 30, Verne got his first chance to leave France. That year he traveled to the British Isles, and upon returning to Paris he wrote a semi-biographical novel called Backwards to Britain, but it was not published until 1989. In 1861 he visited Sweden, Norway and Denmark and missed the birth of his son, Michel the same year. After he found literary success, he purchased a succession of larger and larger vessels which he used to travel all around Europe.
- Unfortunately traveling became difficult for Verne after an incident in 1886. His nephew, Gaston, suffered from paranoia and shot his uncle in the leg (or foot, depending on the account) and Verne never fully recovered. Luckily for his fans, this did not stop him from continuing to write sometimes two novels a year.
- According to one article I found, there is a lot of evidence the Verne plagiarized large portions his most well-known work, Journey to the Center of the Earth. He was sued by Leon Delmas in 1863, and the court case was not resolved until 1874.
- With the help of Verne’s son, some of his books were published posthumously.
- Several of Verne’s manuscripts and plays were found in a safe 1989, so have only recently seen the light of day. Among these was a novel called Paris in the Twentieth Century, which was initially rejected by Verne’s publisher, Pierre-Jules Hetzel, because of its pessimistic view of the future. The story is set in a dystopian 1960 (97 years after it was written), and predicted the invention of many things that ended up being absolutely correct such as gas-powered cars, fax machines, elevators and sky scrapers.
Verne’s most note-worthy works
I’ve been writing about Verne off and on since I started this website, so I won’t reproduce all of my reviews and info again verbatim.. Here are links to those articles:
The Mysterious Island movies in 2005, 2012 and Journey 2: The Mysterious Island 2012, which actually served as a sequel to the Journey to the Center of the Earth film. I have not yet read the book myself, but plan to some time in the future and will add a link then 🙂
Are you a fan of Jules Verne? What’s your favorite book?
We Steampunk fans enjoy a nice mash-up of literary references like in Alan Moore’s League of Extraordinary Gentlemen, but it takes an exceptional writer to make it all fit together in a coherent narrative. Unfortunately, this sequel to Journey to the Center of the Earth shoe horns this notion between overwrought action and family drama in a pretty unsatisfactory way.
A few years have passed since the events of the first film, and Sean (Josh Hutcherson) has a new stepfather, Hank (Dwayne Johnson). His relationship with the former Navy code breaker is rocky, but when Hank helps Sean decipher a message from his wayward grandfather (Michael Caine) they find some common ground. The message reveals that the island in Verne’s novel is not only real, but is the same island described in Treasure Island and Gulliver’s Travels, and resides somewhere off the coast of the Philippines. (I actually winced when Hank rips the map pages out of the three books in order to fit them into a single island. Have some respect, dude!)
Once they reach Palau, they find that the only people willing to take them to their coordinates (which turn out to be caught in a perpetual hurricane) are a helicopter pilot (Luis Guzman) and his daughter (Vanessa Hudgens). The four of them crash land on a lush island populated by giant insects and Lilliputian pachyderms, and must fend off a dinosaur-scale iguana within minutes of landing. After a brief respite at grandpa’s house, they journey into the jungle past a volcano spouting gold (a reference to the mountain of gold in Treasure Island), see the remnants of the lost city of Atlantis that Verne described in 20,000 Leagues Under the Sea, and discover that the island is rapidly sinking once again. Without any means of contacting the outside world during the storm, their only hope is Nemo’s Nautilus, which is still hidden somewhere on the island.
Okay, so you know how I like crappy movies? Even I had some trouble with this one. The action is overblown and basically unending and the dialog was hit and miss. I almost stopped watching the film completely when I got to a scene which centered on “The Rock” popping his pectorals and saying it was the best way to get women. GAG! Also, the “science” didn’t really work. For instance, I am willing to play along with their use of island dwarfism/gigantism, especially as the much-lauded 1961 Mysterious Island features giant critters as well, but if the island is trapped in a perpetual storm and periodically sinks to the depths of the ocean, where did the animals even come from???
It’s pretty much only worth a viewing if you like making snarky comments about what you are watching (which is a regular pastime in the Darqueling household) and can take it all with a grain of salt. Also, the effects are pretty awesome so the visuals are cool. But if you are looking for a good story that has much of anything to do with Verne’s book, skip it.
Journey to the Center of the Earth (2008) Pays Homage to the Original Without Just Retelling the Story
I just went back and counted how many TV and movie reviews I have posted since I started this site. Over the last 18 months I have told you about over 20 different films and shows, and to tell you the truth I didn’t even know there were that many to talk about when I started. Plus, I have a list of another dozen or so that are still forthcoming! With the exception of a few, my reviews have mostly been focused on stories that took place during Victorian times, but there are also films that make references to things from that era that occur at later dates. They may lack the Steampunk aesthetic that we know and love, but I think they deserve a nod for their “punking” of the classics.
The big-budget Journey to the Center of the Earth is one of these films, and should not be confused with the mockbuster by the same name that came out the same year. As a fan of the Mummy movies, there was no way I was going to miss Brendan Fraser in another adventure story. It served as the big screen directorial debut for Eric Brevig, someone whose work you have probably seen without knowing it because he worked on the visual effects for tons of movies such as Wild, Wild West, Men in Black, and several M. Night Shyamalan films. I only just finished reading the book, but as I was doing so I was able to draw a lot of parallels between the text and this contemporary reinterpretation.
The world of this story hinges on one central fact: Verne was writing the truth. According to the story, there is a secret society of learned folks called Vernians who are trying to find their way to the places described in the novels. Brendan Fraser’s character, Trevor Andersen, is not a Vernian but a volcanologist who has devoted his life to the study of volcanic tubes. His brother, Max, was also studying this fringe branch of geology, but he went missing on the path described by Verne leading to the center of the earth.
All that is known to his brother and his son Sean (Josh Hutcherson), is that he disappeared during field research in Iceland, but when an old copy of Journey to the Center of the Earth covered in his cryptic field notes (a direct reference to the discovery of the coded message in the professor’s volume in the novel) is discovered among Max’s belongings, Trevor and Sean rush to his lab to investigate the similarities to his own readings. Upon finding that the equipment placed on Sneffels has come back to life after years of dormancy, the uncle and nephew team head to Iceland to retrieve it.
They enlist a tough as nails mountain guide who recognizes the scribbles in Max’s book as belonging to a Vernian because her own father had also been a believer until his death a few years earlier. They hire her to take them up the mountain to get the scientific instruments, but none of them believe in the reality of the story until a landslide traps them in a cave and they have no choice but to descend into the bowels of the earth in hopes of finding a way out. After a side trip into an old mine and surviving a preposterously long fall down one of the aforementioned volcanic tubes they find themselves on the shore of the same sea recorded in Verne’s story. They attempt to voyage across the sea as their predecessors did, and like them fall prey to sea creatures and a terrible storm to find themselves on a distant shore and in danger from the rapidly rising temperatures in the granite chamber.
Oh yeah, and dinosaurs. Did I forget to mention the dinosaurs?
This is a lighthearted, fun movie that borrows some great parts from the original story, and adds some bits of its own. I remember when it came out it was at the forefront of the “we must make every movie 3D!!!!” phase of film-making which has thankfully calmed down in recent times, and some of the added scenes feel like they were definitely conceived with that in mind rather than say, moving the plot forward. But still, it is enjoyable and a nice way to waste 93 minutes if you’ve got the time. A lot of reviewers I read have nothing nice to say about Josh Hutcherson, but I liked him as the moody teen companion to his stodgy uncle.
I also appreciated that the biggest bad-ass in the group was obviously the female mountain guide, portrayed by native Icelander Anita Briem. She was only really in danger like one time because she was carrying all the heavy stuff and it almost drowned her. She’s the one that gets them through the physical challenges and keeps her cool in face of danger, not unlike her counterpart in the Verne novel.
What do you think? Should movies stick strictly to the original story, or is there room for this kind of interpretive punking?
It’s time to return again to our regularly scheduled Jules Verne programming. It doesn’t look like I will make my original writing goal for this weekend, but I will hopefully get to 10,000 words by the end of the month, so I will keep posting things after my tribute to Verne is over.
Voyage au centre de la Terre is the third Verne novel I have read, and so far it is my favorite. There are multiple translations and the names of the main characters are different depending on which one you read. I read the version where the narrator is called “Harry Lawson” rather than Axel Lidenbrock. According to Project Gutenberg, this 1871 translation is the one that is most widely circulated, but it is also not as true to the original text as the 1877 version. Apparently what I read was somewhat abridged, but was still about 470 pages.
So here’s a very brief synopsis: Harry starts his story by setting the scene of his life with his eccentric uncle, whom is most often referred to as “the professor.” But the story really gets going when the professor discovers a coded message scrawled in an antique text he has just purchased. The former owner was a 16th century alchemist named Saknussem who left behind directions to the finding the exact center of the Earth.
The enthusiastic professor drags the reluctant Harry along for the ride to Iceland, where Saknussem’s tunnel is located. With the help of a taciturn Icelandic hunter, they embark on an incredible journey of discovery into the depths beneath our feet. Along the way they encounter living fossils from bygone ages, a huge subterranean sea and a multitude of other wonders.
There were two main reasons that I liked this book more than 20,000 Leagues Under the Sea and Around the World in 80 Days. First, the first-person narration by Harry was often very humorous, especially when it came to his own misgivings and cowardice. Second, this story was not bogged down by minutiae. There were only a few Latin names dropped in here and there, and because Verne was pulling this place out of his imagination rather than reporting on a real locations, it freed him to be able to drive the action any way he pleased. It would be nice to read a version that has gone through a modern editing process to get rid of the redundancies that so often occur in these old serials. For instance, the phrase “my uncle, the professor” occurs several times, and the Icelander is referred to as “Hans, our guide” almost without fail, as if there would be some other Hans wandering around hundreds of miles below the Earth’s crust. I am sure it helped readers of the original serial over the course of the year it took to read the whole thing, but it does get to be a bit repetitive when reading it as a novel.
The science in this book doesn’t stand the test of time quite as well as others from this period, but for when it was written it was right in the middle of the scholarly debate concerning the origins of life on Earth. In the 1860s, academics had only recently abandoned the straight Biblical interpretation of our origins in light of the discovery of fossil hominids in unexpected strata. There were also distinct schools of thought concerning the nature of the planet itself, the inner workings of which were not fully explained until the theory of plate tectonics was put forth almost a century later.
Perhaps this is the reason, not to mention the enormous sets that would be required, that Journey to the Center of the Earth has only rarely been adapted to film and television compared to Verne’s other works. The first film was made in 1959, but it wasn’t remade in English again until the 2008 re-interpretation which put a contemporary uncle (Brendan Fraser) and nephew (Josh Hutcherson) on the path described in Verne’s novel rather than following the narrative as it occurred in 1864.
In this made-for-TV flick part of the mystery of the island comes from relocating it from off the coast of New Zealand to the Bermuda Triangle. According to the movie, ships regularly disappear from this spot because of a rift in time that sucks in travelers. This allows the story to include not only 17th century pirates and refugees from the American Civil War, but also some ladies from the present. I really enjoyed this twist because it was a chance to call attention to how much has changed in the last century and a half. There are culture clashes even between fellow Americans because of advances in technology and social norms.
Ever since the 1961 version, the trend with movie adaptations of The Mysterious Island seems to be to add some kind of creepy critter to up the ante when it comes to danger and action to what is really a pretty subtle story about a group of castaways. In both the 1961 the 2005 version, all of the animals on the island grew to huge proportions. In this one, in addition to a giant octopus blocking their escape by sea, the island is overrun by apelike creatures who (spoiler alert) turn out to be Nemo’s disenfranchised crew.
The writing had a few holes and the acting was pretty hit or miss, but it was a fun movie all the same. I, of course, like “bad” movies so I will probably put with more than your average movie viewer. You can watch it on Netflix or through youtube below.
This mockbuster was made to piggyback on the major motion picture release the same year of Journey 2: The Mysterious Island, which was a sequel to the big budget Brendan Fraser movie, Journey to the Center of the Earth that came out in 2008. I’ll bring you reviews of those as well, so stay tuned during March for even more Verne and adaptations!
In the early days after its construction in the 1730’s, “Saville Street” was home to officers of the British military. The next century it became the first home of the Geographical Society of London (today known as the Royal Geographical Society, RGS), which was granted its Royal Charter under Queen Victoria. The RGS was responsible for financing such notable expeditions as David Livingstone’s sojourn into Africa, which lead to the discovery of the Nile’s source (named Lake Victoria) by Sir Richard Burton and John Speke. The RGS moved its headquarters in 1913, which was also the same year that women were first allowed to join.
During the Victorian era, Saville Row become strongly associated with the tailoring trade, and today the street is lined with stores selling natty men’s fashion. On a literary note, Jules Verne gives Phileas Fogg, the hero of Around the World in 80 Days, the address of No. 7 Saville Row. There isn’t a lot to see today, so for me, the most compelling thing about visiting this area ended up being the nearby Burlington Arcade.
If you have heard of this site, it is probably because of Around the World in 80 Days. Phileas Fogg’s journey began at The Reform (as it is colloquially named) over a game of cards, and ended in dramatic fashion on the same spot. The Reform was also featured in politically-minded novel entitled Phineas Finn, which was released as a serial by notable Victorian author Anthony Trollope from 1867-1868.
The club was founded in 1832 as a liberal bastion for people to exchange radical ideas in response to the conservative Whig Party that had held power in London for decades. For many years it was the unofficial headquarters for the Liberal Party, and boasts a huge library filled with contributions from its members. Unfortunately, the inside of the club is off-limits to non-members except for select groups that can visit during a special architectural festival in September, and the exterior is nothing special. But, you can see a few photos of the interior on their website.