I think I may have just snapped up the last affordable room in all of Lincoln last night as I made my arrangements for Europe’s largest Steampunk Convivial, Weekend at the Asylum. If you were thinking about going but you are still on the fence, make sure to get your tickets ASAP! They sold out of the Saturday only wristbands in the last day or so, and the Empire Ball was already sold out weeks ago. I am sorry to miss the ball, but I did get tickets for Lady Elsie’s Fashion Gala (a formal fashion show followed by dancing and socializing) as well as a burlesque event so your favorite Steampunk Roving Reporter will be able to bring you plenty of shenanigans well into the evening during the convention, which runs Sept 12-14. I will be tweeting and posting all weekend, which is also the last weekend of Steam Tour.
The website for the event run by the Victorian Steampunk Society is woefully short of details, but you can get event descriptions and buy tickets here.
Going to be at convention and want to meet, and maybe even pick up youth very own airship bumper sticker? Leave me a comment and we’ll be in touch!
Arthur Conan Doyle Experience is a talk about Edinburgh’s famous son, delivered in a magnificent example of an original Victorian town house which commemorates this great man of literature. Author of Sherlock Holmes – but what else is he famous for?
|Group||Arthur Conan Doyle Centre|
|Venue||Arthur Conan Doyle Centre |
|Date||Aug 12, 14, 19, 21, 26|
|Country of Origin||United Kingdom – Scotland|
Get more info at the Edfringe website.
Thanks to Josh Stanton and Andrew Knighton both for recommending this movie! This is my third French movie in the Steampunk ouevre, and before I started my quest to watch and review any movie that anyone has called Steampunk I wouldn’t have guessed there was going to be a lot to find in French. I absolutely loved all three, Lost Portals: The Chronicles of Vidoqc (dark, gritty, adult), City of Lost Children (clever, strange and entertaining) and now The Extraordinary Adventures of Adele Blanc-Sec.
Adele is a comic book hero who was created in the 1970s by Jacque Tardi. She started out as a foil for a different female lead character, but Tardi decided he liked writing Adele better and made her the star instead. The most recent graphic novel was released in 2007, and a film directed by Luc Besson followed in 2010. I know Besson best for his part in penning my personal gateway into Sci-Fi, The Fifth Element, but he has created characters like Nikita (La Femme Nikita) and has been a part of the Transporter series of films. Originally, Besson said there would be at least three Adele films, but so far no sequels have been announced.
The books were recently re-released in hardcover form and are available in English as well as the original French. The film draws heavily from volume 1, Pterror over Paris, (for the pterodactyl, get it?) which you can get on Amazon.com.
And now on to the movie. We first meet Adele on an expedition to Egypt. Her male compatriots try to ditch her but she soon proves she is the most capable one there and leads them deep into the mummy’s tomb. But Adele is not on a search for riches, she has her heart set on a certain mummy who she hopes can be revived and called upon to save the life of Adele’s catatonic sister. I know, it doesn’t sound like the most practical of plans, but Adele knows a man who has been honing his psychic abilities for just such an occasion.
While Professor Espérandieu is flexing his psychic muscles back in Paris he inadvertently connects to the dormant life inside a dinosaur egg and suddenly a baby pterodactyl is set loose into the skies above the City of Lights. The professor is accused of the “crimes” that result and he is put on death row when no one believes his ramblings about the dinosaur. Louise Bourgoin makes an absolutely charming Adele and her many attempts to free him are hilarious. Thwarted at every turn, she appeals to the President of France, but his hopes all rest on a bumbling big game hunter to bring the beastie down. The professor is still psychically linked to the pterodactyl so if it dies so does the professor, as well as all of Adele’s hopes for her saving her sister.
I totally loved this movie and I highly recommend it if you need something to put a smile on your face. Bourgoin sometimes talks a mile a minute so I am sure it would have been even funnier if I could have watched it dubbed in English instead of reading the subtitles, but I thoroughly enjoyed the characters, action and story. Ancient stuff was all the rage at the turn of the 20th century, especially ancient Egyptian stuff, so even the anachronisms felt like they were just an extension of the period, and I liked the whimsical brush used to paint even the direst of events in the plot.
Do you know of any other foreign-language movies that could be considered Steampunk? I’d love to see them!
I am really happy with my newest experiment! What do you think?
What is it about our many legged friends that makes them a popular trope in Steampunk?
۞ Monster Cephlapods have been the major focus of several classic works of Science Fiction and Fantasy such as H. P. Lovecraft’s The Call of Cthulu, Jules Verne’s 20,000 Leagues Under the Sea and the 1830 Tennyson poem The Kraken. There is also a Sir Arthur Conan Doyle story called Horror of the Heights that features a flying tentacled monster. In more recent times both the Kraken and Cthulu-like monsters have made appearances in Hollywood blockbusters like Hellboy and Pirates of the Caribbean: Dead Man’s Chest (though you also get a good look at the Kraken after it is death in Pirates of the Caribbean: World’s End).
۞ Their bodies are also reminiscent of complex machines. The long skinny tentacles are like wires or tubes and their movement is powered by water, not unlike steam vehicles. As a bonus their bodies kind of look like they are wearing a helmet and goggles all the time, and if Steampunk had an official symbol I’m pretty sure it would be a pair of goggles (or maybe a gear).
۞ Brian Kesinger, the talented artist behind Otto and Victoria and the book Walking Your Octopus: Your Guidebook to the Domesticated Cephlapod, did an interview for ComicMix.com, and when asked about his choice to draw an octopus as a couture pet he answered:
“I find octopuses extremely fun to draw. It is a real challenge inventing eight different things for them to do in every image. They are nature’s original multi-tasker and they certainly have captured the imagination of a lot of people. Along with the squid and other Cephalopods, octopuses seem to be a sort of theme animal for steampunk so when I set forth trying to render an image of a high class Victorian lady and her boutique pet the choice was obvious. What was not obvious was how popular Otto has become since I first drew him a year ago. He has inspired fan art, tattoos and I’ve even seen girls cosplay Victoria and conventions around the country! And for that I am so grateful and it keeps me drawing octopus.”
Cephlapods are fascinating creatures that are about as far away from human as you can get.
۞ I used to work at an aquarium so I got a chance to spend lots of time observing octopus and my personal favorite cuttlefish. These invertebrates can move in three dimensions, jetting around the water column and feeding on smaller animals.
They are also totally visually stunning. Undulating tentacles aside, many of them can change color and shape at will, which makes them masters of disguise. Want to have your mind blown? Check out the PBS documentary below for more information about cuttlefish camouflage.
I’ve collected just a sampling of the Steampunk art featuring our many-legged friends out there on the interwebs. In most cases you can get the artist’s name by simply hovering over each image and you can open a gallery of larger images by clicking on any thumbnail. If you see something that is mislabeled or you know who is behind one of my unlabeled entries please let me know so I can give the artist the credit s/he deserves.
Click on any thumbnail to open the gallery of larger images.
My parents just bought a townhouse so my mom wanted some help shopping and I was happy to oblige. We went to Hom Furniture and I found a surprising amount of decor that could be considered Neo-Victorian or Steampunk. I took some pictures on my phone of my favorite items. This particular Hom store also had a pseudo-balcony that was lined with cupboards that looked like library shelves so it helped at to the Steampunk feeling due to all the books in the interior design.
This table below and the side table set above really caught my eye.
But most of what I found was wall art like the pieces below.
“Steampunk style has become synonymous with many things as it has become more pervasive in popular culture, for good and ill: 19th-century, retrofuturism, neo-Victorian, colonialism, stuff white people like. What the steampunk community needs is a game-changer: more examples of what steampunks are really doing, and why does this subculture fit their wheelhouses. When you’re an outsider looking in, however, how can you avoid being blindsided by what has become the “tropes of the genre” (gears, goggles, pith helmets, and all)?”
Follow the link for the full article.
Steampunk, Technological Time & Beyond Victoriana: Advocacy and the Archive | Journal of Victorian Culture Online
I have been curious about what “serious” scholars have to say about the Steampunk ouevre, and I ran across this article in the online Journal of Victorian Culture. The full article contains no small amount of history/social studies jargon so the vocabulary is not for the faint of heart.
“Steampunk studies is an outlier in Victorian scholarship. In fact, steampunk subculture can arguably be called “neo-Victorian” or even “non-Victorian” in the way that it defies strict adherence to a certain periodization or topic relevance. Steampunk is an aesthetic movement inspired by nineteenth-century science fiction and fantasy. Over the years, however, that umbrella phrase has expanded to include speculation outside of an established time-frame (such as post-apocalyptic or futuristic), outside of the established geography of the Western world, and even outside of history (as with alternate history and secondary fantasy worlds). How can we, then, describe the relationship between steampunk academic work and Victorian studies?”