Van Helsing is Getting a Reboot and I Can’t say I’m Happy About It
Tom Cruise “saluting” the symbol of Scientology, which is inexplicably a cross
So the first Van Helsing movie was great and I was really hoping for a sequel. Unfortunately, what we are going to get is a “reboot” with professional crazy person Tom Cruise at the wheel. Apparently Universal Studios is seeing fit to do this to both of Stephen Sommers’ monster blockbusters, so The Mummy will also be getting a makeover by the same redundancy-loving writers who saw fit to reboot Spiderman only 5 years after Toby Maguire kicked all of his enemies back to the funny pages. Ugh.
Does anyone else feel like there isn’t anything new anymore coming out of Hollywood? Do they think we are stupid or just have extremely short attention spans? Rebooting Batman was genius because it has been around forever and had basically slipped into the realm of farce in Batman and Robin, but Van Helsing the billowy-coat monster hunter is a character that Sommers created only 10 years ago and there is nothing at all wrong with the original.
Let me know what you think below!
The Brothers Grimm (2005) Punks Your Favorite Fairy Tales
Brothers Grimm (2005)
Wilhelm and Jacob Grimm released the first volume of their collection of folktales “Kinder- und Hausmärchen” (Children’s and House Tales) in 1812. The first edition included 70 different stories, but after numerous editions the count eventually reached somewhere over 200 (different sources said different things in my research, but mostly between 209-211). If you are looking for the specific fairy tale references, check my Brothers Grimm Fairy Tale Guide.
Little Red Riding Hood from a Brothers Grimm advertisement
If you have never read any of the original Grimm fairy tales they are an interesting read. I took a class in college called “Twice Told Tales” and we spent about half of a semester just studying the story of Little Red Riding Hood (Rotkäppchen in the Grimm’s first edition, but actually published first in the 17th century in French by Charles Perault as La Petit Chaperon Rouge). It was fascinating to see what details changed or were added over the centuries (Spoiler: in the original Red is an accidental cannibal and she dies in the end), and believe me when I tell you that any picture-book version you read as a kid was very watered down. I would only recommend reading the originals to children if you want them to have nightmares. You can access English translations of many early fairy tale compilations through the University of Pittsburgh here.
Marbaden concept art by Guy Hendrix Dyas
So, now on to the film. I am a big fan of Terry Gilliam (who wrote and directed Monty Python and the Holy Grail, among other things) and he definitely does not disappoint in this, his first PG13 movie. He actually rewrote much of the Brothers Grimm screenplay, but did not receive credit. If you like to be awed by visual effects and have your heart warmed by a good story, check out another Gilliam creation, The Imaginarium of Doctor Parnassus (2009). Like Van Helsing, Brothers Grimm was filmed in the Czech Republic, both on sound stages and on location.
The story opens with a young Wilhelm Grimm comforting his mother and ailing sister with the promise that his brother Jacob would return soon after selling the family cow. Jacob (who is erroneously portrayed in the film as the younger brother) brings back a handful of beans rather than the much needed cash.
Heath Ledger and Matt Damon as the Brothers Grimm
Next, we see the brothers as adults. Wilhelm is played by Matt Damon and Jacob by the late, great Heath Ledger. (Fun fact, they were originally cast in opposite roles because Gilliam wanted Johnny Depp to play Jacob but thought Depp wouldn’t be a big enough box office draw. This was before Pirates of the Caribbean came out, remember.) The city of Karlstadt is in need heroes to fight a witch that is terrorizing their town and the Grimm brothers arrive to save the day. Too bad for the townsfolk that the witch is a hoax and the brothers are scam artists. Jacob has spent his life collecting folk tales, but Wilhelm is an avid skeptic and is only out to make a buck (or Deutschmark, or whatever).
Marbaden village set
Soon, the brothers are forcibly recruited by an Italian torturer named Cavaldi (a surprisingly funny character played by Peter Stormare) who is employed by the French. During the Napoleonic Wars, Germany was occupied by French forces, who are led by General Delatombe (Jonathan Pryce) in the movie. He tell the brothers of a town called Marbaden and the 10 children who have disappeared. The peasants believe that the children have been taken by a supernatural force living in the dark forest near their homes, but Delatombe believes it is another con artist like the Grimms. He sends them to expose the fake and help bring in an Age of Reason to the foolish bumpkins.
Angelika getting her archery on
When they arrive in Marbaden (accompanied by Cavaldi and a cavalcade of French soldiers) they are told that in order to enter the foreboding forest they need a guide. The only person who can help them is “the cursed one,” Angelika (who is a super bad-ass huntswoman played by Lena Headey). They call her this because her father and sisters have all gone missing and let’s face it, probably because she wears pants and hunts with a bow, and this is the beginning of the 19th century after all.
Marbaden Forest
Evil Queen trying to seduce Matt Damon
Reluctantly, she takes the men deep into the woods which is populated by trees that can move and reveals to them a tall tower with no doors and but a single window at the top. To save the missing children (and their own skins from the French) they must defeat the immortal witch/evil queen (Monica Belluci) who lives there and hope for a happily ever after.
I totally love this movie. Steampunk fans that feel the genre is defined by technology will be disappointed because most of this movie takes place in small, rural villages, but the time period is on the early verge for the genre and fairy tales were certainly read to children in Victorian nurseries. The chemistry between the characters and their development is really compelling (you even end up rooting for the torturer in the end, which is no mean feat!) and the sets and costumes make you feel like you’ve been transported back to the early 1800’s. I don’t usually get nightmares from movies, but there is a scene with a horse that is terrifying, so think hard before watching it with kids under 10 (it is rated PG13 for a reason). The crooked houses and spooky forest set the stage for this fun and sometimes downright frightening film.
Check out some more pics from the film and concept art below, and feel free to leave a comment if you’ve seen this movie or read any really gruesome fairy tales.
Steampunk Sourcebook: Cephlapods
What is it about our many legged friends that makes them a popular trope in Steampunk?
۞ Monster Cephlapods have been the major focus of several classic works of Science Fiction and Fantasy such as H. P. Lovecraft’s The Call of Cthulu, Jules Verne’s 20,000 Leagues Under the Sea and the 1830 Tennyson poem The Kraken. There is also a Sir Arthur Conan Doyle story called Horror of the Heights that features a flying tentacled monster. In more recent times both the Kraken and Cthulu-like monsters have made appearances in Hollywood blockbusters like Hellboy and Pirates of the Caribbean: Dead Man’s Chest (though you also get a good look at the Kraken after it is death in Pirates of the Caribbean: World’s End).
۞ Their bodies are also reminiscent of complex machines. The long skinny tentacles are like wires or tubes and their movement is powered by water, not unlike steam vehicles. As a bonus their bodies kind of look like they are wearing a helmet and goggles all the time, and if Steampunk had an official symbol I’m pretty sure it would be a pair of goggles (or maybe a gear).
۞ Brian Kesinger, the talented artist behind Otto and Victoria and the book Walking Your Octopus: Your Guidebook to the Domesticated Cephlapod, did an interview for ComicMix.com, and when asked about his choice to draw an octopus as a couture pet he answered:
“I find octopuses extremely fun to draw. It is a real challenge inventing eight different things for them to do in every image. They are nature’s original multi-tasker and they certainly have captured the imagination of a lot of people. Along with the squid and other Cephalopods, octopuses seem to be a sort of theme animal for steampunk so when I set forth trying to render an image of a high class Victorian lady and her boutique pet the choice was obvious. What was not obvious was how popular Otto has become since I first drew him a year ago. He has inspired fan art, tattoos and I’ve even seen girls cosplay Victoria and conventions around the country! And for that I am so grateful and it keeps me drawing octopus.”
Cephlapods are fascinating creatures that are about as far away from human as you can get.
۞ I used to work at an aquarium so I got a chance to spend lots of time observing octopus and my personal favorite cuttlefish. These invertebrates can move in three dimensions, jetting around the water column and feeding on smaller animals.
They are also totally visually stunning. Undulating tentacles aside, many of them can change color and shape at will, which makes them masters of disguise. Want to have your mind blown? Check out the PBS documentary below for more information about cuttlefish camouflage.
http://www.youtube.com/watch?v=67Qlq8DBtl4
I’ve collected just a sampling of the Steampunk art featuring our many-legged friends out there on the interwebs. In most cases you can get the artist’s name by simply hovering over each image and you can open a gallery of larger images by clicking on any thumbnail. If you see something that is mislabeled or you know who is behind one of my unlabeled entries please let me know so I can give the artist the credit s/he deserves.
Click on any thumbnail to open the gallery of larger images.
Van Helsing: The London Assignment is an Animated “Diamond in the Rough”
While researching for my Van Helsing Mixes Monsters for Movie Magic post I found out that there was a cartoon short released in conjunction with the major motion picture. Van Helsing: The London Assignment tells the story of what Van Helsing is doing in the days leading up to the start of the film.
Van Helsing
Van Helsing is on the trail of a vicious London-based murderer who not only kills his lovely female victims, but leaves their bodies twisted and mummified. But even after this string of heinous crimes, the order to which Van Helsing belongs demands that he try to capture the fiend and save his soul from damnation.
Hyde on train
He soon meets the monster, none other than the giant Mr. Hyde who helps Hugh Jackman open the live-action movie. In an interesting twist, Dr. Jekyll is every bit as evil (or even eviler) than his alter ego, but he is doing all in the name of love.
Years earlier his eyes met those of the young and beautiful Queen Victoria and he believes to that day that she fell in love with him in the same instance. Jekyll uses a potion concocted of the souls of his victims to grant her a new lease on life and with the help of his hellish minions he absconds with her to his fiery layer deep below the city. How will Van Helsing (and Carl the monk, of course) rescue the queen and save the day?
I called this 30 minute short a “diamond in the rough” because a lot of the animation is jerky and reminiscent of Hanna Barbara cartoons (no offense Scooby Doo!) with intermittent flashes of brilliance. The action sequences clearly got more love (or maybe just a bigger budget) than other scenes, which is to be expected, but it was kind of distractingly lopsided. That being said, it is a fun story that made me alternatingly chuckle and say “whoa!” It really felt like a noir comic book come to life, which was cool to see.
There is a nice documentary in the special features about the making of the live-action movie which is really cool. I learned that both Kate Beckingsale and Hugh Jackman did most if not all of their own amazing stunts.
You can watch the full cartoon through youtube below!
Steampunk Meets the Surreal in Dark Portals: The Chronicles of Vidocq
Poster for Vidoqc (French version of Dark Portals: Chronicles of Vidoqc)
Vidoqc and the Alchemist
Dark Portals: The Chronicles of Vidoqc is the English title of a French film called simply Vidoqc. Gerard Depardieu plays the title role of Eugene Francois Vidoqc (the father of criminology and a real-life French figure of note), who is an occult detective on the grimy streets of Paris in 1830. He is on the trail of a masked serial killer, the Alchemist, but falls to his supernatural enemy within the first minutes of the film. Amidst the tumult of the outbreak of the Second French Revolution (also known as the July Revolution), Vidoqc’s biographer Etienne (played by French heartthrob Guillaume Canet) tracks down witnesses to fill in the blanks in Vidoqc’s investigation and mysterious disappearance. Meanwhile the Alchemist is still on the prowl and no one is safe from his mysterious powers.
Paris in Vidoqc
This is a very stylized and disturbing movie, but I would definitely recommend it to fans of the Steampunk gestalt. If you are willing to deal with the subtitles, the special effects and unrepentant window into poverty make for a stunning and surreal adventure which definitely earns it’s R rating.
While watching it I was struck by how foreign it felt, which shouldn’t really surprise me seeing as how it is a foreign film, but it definitely is not a Hollywood movie. First off, the hero is a middle-aged man with a bulbous nose and a thick middle (though he still kicks some serious Alchemist ass when they meet in the flashbacks that make up Etienne’s investigation). The extreme camera angles highlight derelict victims of the streets (think Les Miserables with more underage workers and filth) which is enhanced by jerky motion and makes the enclosed spaces like the glassworks feel downright suffocating. The interior spaces all feel as though they are lit by gaslight, which makes the occasional burst of color really stand out.
Peter Pan Gets a Steamy Makeover in Neverland (2011)
Neverland poster
Charlie Rowe as Peter Pan
My favorite Peter Pan has to be the one who has been terrorizing the citizens of Storybrooke on Once Upon a Time this season, but I think as a whole the 2011 mini-series Neverland is the most interesting (re)interpretation of J. M. Barrie’s classic story that I have come across. Or rather, this story is of what came before Wendy and the Darling boys made their sojourn to the third star on the right.
Jimmy and the Lost Boys
In this two-part miniseries, Peter and the Lost Boys are pickpockets on the tough streets of London. Their convivial though crooked caretaker, Jimmy Hook, has rescued the orphans from a life on the the street and his protege, Peter (played by Charlie Rowe, whom I recognized as Billy Costa in The Golden Compass) feels a deep gratitude for the life they now lead. So it is no surprise that when Jimmy tells the boys about a potentially lucrative burglary Peter jumps at the chance to prove himself to his mentor. In the end, Jimmy says it is too dangerous for the band of boys to help him with the caper and tells Peter to forget the whole thing, but Peter is in such a hurry to grow up and take his place as Jimmy’s equal he lies to the other boys and tells them they are supposed to commit the crime without Jimmy to guide them.
Upon discovering their empty beds, Jimmy heads to the antique shop and catches them in the act. The jewels are all well and good, but there is something far more valuable and mysterious waiting for them and it was this artifact that Jimmy was hired to retrieve. While Peter is in the other room looking for something to use to pick a lock, the object is triggered and seemingly disintegrates Peter’s whole crew, leaving a glowing orb behind. As Peter soon learns, the orb is a gateway to another planet: Neverland.
Peter follows his comrades to Neverland, a place of surreal and wintry beauty. The cast of characters you expect are all there, pirates, Indians, and giant crocodiles, but this looks nothing like the Disney movie. For one thing, the crocodiles have 8 legs. But, my favorite twist is that the dreaded captain of the Jolly Roger is a beautiful woman so the character of Captain Hook is more or less split between Captain Bonny and Jimmy. (Or perhaps more accurately Bonny is the shape of things to come in Hook’s life)
When Peter arrives Cpt. Bonny has taken Jimmy and the Lost Boys captive, though Jimmy is less of a prisoner and more of a willing participant in the cruel beauty’s schemes. Peter attempts a rescue but Jimmy’s hesitation leads to the death of one of the boys at the hands of a trigger happy pirate. The boys become allied to the Indians (whose motifs loosely resemble Pacific Northwest tribes rather than the iconic plains folk) and must help them to protect their mountain stronghold and the “tree spirits” (ie fairies) who take refuge there from the dastardly pirates. The fairies control a mineral that has volatile but intriguing set of side effects, including the ability to fly. Peter and the chief’s daughter, Tiger Lily, set off in search of a way home and stumble upon an alchemist who reveals the secret of the mysterious orb that transported them and the unique position of Neverland in the universe that keeps time standing still.
The shape of the universe
You can check out the trailer below.
Steampunk Sourcebook: City of Ember (2008)
Like The Golden Compass, City of Ember skirts the edge of “true” Steampunk, but I have seen it on several Steampunk movie countdowns (though interestingly not on book lists.)
Streets of Ember
The story centers on two teenagers, Lina Mayfleet (Saoirse Ronan) and Doon Harrow (Harry Treadaway). We meet them on their Assignment Day when their entire future careers get determined by the luck of the draw. Doon is supposed to become a messenger, but he trades that choice job away to Lina in return for a chance to work under the city and gain access to the generator that supplies the lifeblood of Ember: electricity. Because Ember lies deep below the ground, safe from the terror that took place 241 years ago. Without the generator the entire population would be plunged into total darkness and the electric lights mounted all over the city is there only refuge from the abyss beyond.
But lately, the lights have begun to flicker.
Lina is delighted to become a messenger and dives into her duties with gusto. She is the grownup in her tiny family, which consists of a little sister named Poppy with a propensity for putting things in her mouth and a dear (though slightly crazy) grandmother who spends her days taking thread out of clothing and spooling it for reuse (no on has had new clothes for over a century). In the depths of a closet, Poppy uncovers a mysterious metal box that had belonged to a former mayor and proceeds to gnaw on the contents.
Lina and Doon
Lina recognizes the writing on the pages as coming from the revered and little understood “builders” who created Ember and, with the help of Doon, attempts to recreate the documents from the chewed mess. To their shock and amazement, they seem to be telling of a way out of Ember, and out of the danger of starvation and perpetual darkness. Can Lina and Doon overcome the rampant corruption in their government to discover the truth and lead the citizens of Ember to salvation?
Some fun facts and context:
۞ The movie is based on a novel called The City of Ember that was released in 2003. You can read an interview with the author here about the novel’s tenth anniversary this year.
۞ DuPrau wrote 2 sequels, The People of Sparks (2004) and The Diamond of Darkwood (2008), as well as a prequel called the Prophet of Yonwood (2006) that tells of the cause of the apocalypse that led to the building of Ember.
۞ The City of Ember was made into a graphic novel in 2012 by Niklas Asker.
۞ Harry Treadaway (Doon), most recently appeared in the 2013 Lone Ranger with Johnny Depp. Saoirse Ronan (Lina) has lent her voice as well as her face to several films and is best known for her roles in Atonement and The Lovely Bones.
۞ The film includes a few major changes from the book. First off, giant mutated animals. In the book, Doon keeps a caterpillar to observe it and is utterly fascinated by insects because the people of Ember never see things from above ground. In the film he finds a moth is easily 2 feet across, upping the visual ante but not staying true to the novel. There is also a completely terrifying star nosed mole as large as a hippopotamus that delivers the come-uppence to Ember’s corrupt mayor (played by Bill Murray), which never appeared in the book. Likely this is a reference to the nuclear cause of the apocalypse in the Prophet of Yonwood and mutations that could follow. Personally, I did not like the change, I thought the book was already great without the novelty.
۞ The other big change, which is probably the reason the movie ends up in Steampunk lists and the book does not, is the amount of gadgetry. In the movie, Doon’s father (Tim Robbins) is an inventor and Rube Goldberg type machines cook their breakfast, while in the book he runs a shop populated by old shoe heels and rusty nails. There are also scenes that take place in the huge industrial center under the city, but the tech is all there to create electricity so it is not very Steampunk in the end. But the gritty, dark ambiance and added mechanical gizmos definitely make you feel like you are in the past rather than the distant future.
۞ The set was built in the same shipyard the Titanic was, and many of the interiors that were built were never used in a single shot but add to the depth of the visual story. Check out the clips below the gallery for more windows into the underground city.
Click on the thumbnails for larger images.
Van Helsing (2004) Mixes Monsters for Movie Magic
Stephen Sommers, who brought us the special effects-laden reboot of The Mummy in 1999, also lent his imagination (as well as his pen) to create Van Helsing in 2004. Even though both films are almost a decade or more old they are some of my absolute favorites for their combination of action, visual effects and fun.
Gabriel Van Helsing (played by Hugh Jackman) is a monster hunter with a mysterious past. He is employed by the Catholic church to seek out and destroy evil, but remembers nothing before he was charged with his holy quest. As far as I can tell, the only thing this Van Helsing has in common with the Dutch doctor and do-gooder Abraham Van Helsing of Bram Stoker’s novel Dracula is the name.
The film starts with an homage to classic black and white movies as an angry mob attacks castle Frankenstein in 1887. Sommers’ twist is that the good doctor’s financial backer is none other than Count Dracula. Van Helsing enters the movie with an epic confrontation between him and a truly monstrous Mr. Hyde (of The Strange Case of Dr. Jekyll and Mr. Hyde) on the rooftop of Notre Dame. Later, Van Helsing is charged with slaying Dracula in time to protect the souls of the Valerius family, who vowed they would never rest until the vampire met his demise. With the help of his techno-whiz sidekick, a friar named Carl, Van Helsing travels to Transylvania and to aid the last members of the tragic tribe before nine generations are shut out of heaven.
Sommers’ creates a plot that incorporates Dracula and Frankenstein’s monster, as well as the Wolfman. He also gives a much larger role to Dracula’s three ‘brides’ (which by the way, are not identified as such in the novel) and they provide some wonderful action sequences as they terrorize the nearby village as flying monsters in order to hunt down Anna Valerius (played by Kate Beckinsale). Though the roots of this movie clearly come from a love of classic horror films, the time, literary characters and gadgets (like a gas-powered repeating crossbow) land it squarely in the Steampunk canon.
There is an animated prequel called Van Helsing: The London Assignment which you can read more about and watch here.
I also recently found out that there is another Van Helsing movie planned, but it is going to be a “reboot” starring Tom Cruise. Check out that story here.
Click on the thumbnails for larger images.
For Whom the Gear Turns 