Cosplay at the Asylum: Out and About
There were so many wonderful costumes during Weekend at the Asylum, so I decided to keep the costume contest participants for another post. Here are some delightful folks from around the convention.
Already Feeling the Effects of Asylum-itis
Major Tinker, the MC for Weekend at the Asylum opened the convention today with a bit of ceremony (and cheer). But he did give one piece of advice to Asylum “virgins” and I am happy to report I am feeling the effects of what he called “Asylumitis.”
1. My feet are feeling it! It started with a trek up the aptly named “Steep Hill” street with my backpack strapped on, but today I also moved between sessions on the lovely cobbled streets of Lincoln. There were so many awesome session today that I haven’t been shopping yet, but tomorrow traders here I come!
2. My face hurts from all the smiling 🙂 It was delightful to be around so many Steampunks, and I can’t wait to go to the burlesque shoe tonight. I am sure more smiling awaits.
The lighting in the Assembly rooms was wonky so I had some trouble with pictures, but I think I got some good ones of the costume competition so stay tuned for those! I need to rest my eye for awhile before the fun tonight.
Cheers from Lincoln!
Steampunk at the Piccadilly Market
I admit, I was expecting something quite different when I walked through the ornate iron gates to St James Square. The Piccadilly Market is a more or less permanent, open-air marketplace that operates 6 days a week. There are merry striped tents and merchants selling their wares as one would expect, but I thought it was going to be bigger, especially because of the long list of traders on the market’s website. I was especially excited because there is a section of that website devoted to the Steampunk offerings there.
Different days have different themes, so I picked the day listed as the best for antiques. I don’t know if this means there are no antiques other days, but I was surprised to see that there really wasn’t much there in the way of vintage stuff. But, what was there was pretty awesome.
Annette Jones is a vintage trader and jewelry designer who is only at the market on Tuesdays. Usually she doesn’t allow photography, but she gave me permission to snap a couple shots of her lovely pieces on display. The average bauble was out of my price range (this pounds to dollar conversion is killing me!) but if you are looking for just the right cameo or vintage ring this is a great place to check out. I especially loved the addition of the lovely antique mirrors patrons could use when trying on the pretties
. You can check out her website for more information, http://www.annettejones.co.uk.
The best booth for Steampunk stuff was definitely one by Ahura Collectibles, which was more or less across the aisle from Annette Jones. The only sign on the booth is for kaleidoscopes, but the other half of the display featured gorgeous refurbished early telephones, leather-bound and wood-sheathed spyglasses and a wide array of vintage compasses. I picked up one of the beautiful compasses with a foldable sundial complete with wooden box for safe-keeping for 18 pounds. I had to think long and hard about which one I wanted because they are all unique, but I was especially drawn to this one because it had the word “London” on it so I thought it would make an especially good souvenir. I would have loved a spyglass as well to add to my Steampunk explorer ensemble I have started to compile, but I limited myself to a nautical keychain made of brass.
This booth is at the Piccadilly market Tuesday through Saturday, and at Covent Garden Sundays and Mondays. Find out more at the website, ahuracollectibles.co.uk
I thought I was going to be able to do a large photo spread about this trip to the marketplace, but because it was so small I didn’t really get as much as I’d hoped.
Can anyone tell me any other places like flea markets or vintage shops in London to visit in the next two weeks?
Review: Victorian Vices at Ed Fringe 2014
The Durham-based company, Another Soup, has two back-to-back shows this year at the Space on Niddry St. Both are promenade musicals, meaning that the actors move in and out of the audience to give them an immersive experience. I have never seen a show like these before and I thought the approach was interesting, though better suited to Sweeny Todd and the String of Pearls than to a Picture of Dorian Gray. In Sweeny Todd, the ‘ladies of the night’ and other patrons of Mrs. Lovett’s shop wend their way through the audience going through purses and trading hats with members of the crowd, which was engaging and silly fun during a tale of gruesome murders. But the side characters in Dorian Gray were aristocrats (though similarly gin-soaked by the end) which didn’t lend itself to the same treatment, and the larger crowd made it difficult for a short person stuck in the middle of the pack (ie, me) to see most of the action.
The lighting situation was also more favorable to Sweeny Todd, and faces were never lost behind the shadows of the audience, where Dorian Gray could have benefited from even one light in Dorian’s chambers when tall patrons between the single bank of lights and the small but lovely set sometimes totally obliterated the well-executed efforts of the cast. The audience is expected to stand and move about during the shows, as well as occasionally dancing with the actors, something I wish I had known before spending the whole day at the National Museum of Scotland and then seeing the shows one after the other. By the time I got home my feet were killing me! So be prepared if you are planning to see them both. (People with health issues are welcome to sit during the performances but they will definitely miss some of the action.)
So let’s take them one at a time.
Sweeny Todd and the String of Pearls is adapted from a serialized tale called The String of Pearls: A Romance, which took place in 1785 and was first published as a serial in 1846-47. The story has been adapted for stage and screen many times over, but in case you aren’t familiar with it, here’s the short version. Sweeny Todd is a barber on Fleet Street in London. He kills his victims (sometimes through breaking their necks and sometimes giving them too close a shave with his straight-edge razor) and then disposes of the bodies by giving them to his neighbor, Mrs. Lovett, to bake into meat pies at a time when meat is very scarce in the darker corners of the city. In Another Soup’s version, the story takes place in the 1850s during the Great Stink and the Cholera epidemic of 1858 but the main plot is still the same. Depending on the adaptation, Todd and Lovett are business partners, friends or lovers, and in this version they are most decidedly the latter, sometimes carrying on their affair while the main action of the show takes place elsewhere. It is Todd’s affection for Mrs. Lovett, who commits the first two murders, that leads him to help her with the cover up and makes him her “supplier” for her meat pies. Business is booming so Lovett needs an assistant, which eventually leads to their discovery and downfall.
The music was played by a live band including an accordian that sometimes was in the thick of it with the actors. The enthusiasm of the cast was infectious and the singing was well blended and balanced. I enjoyed having the sound come from all around me when the actors were sprinkled throughout the crowd. Todd and Lovett were very well cast and did a splendid job, as did the playful smaller parts. Unfortunately, if you are right next to the band you lose a lot of the lyrics, which were in general much stronger writing than the dialog. The music is clearly the focus of the show, but when the actors don’t have mics it can be hard to follow.
For the best experience, I would suggest that you stand near the corner of the room where the two sets come together so you can get the most out the singing but still hear the music clearly. Be prepared to move during the show and come back together in a different configuration. I loved this aspect because it allowed people who had not had as good of a vantage point in the beginning to see more of the show later. So even if you start out at the back, be patient and you will get a chance to see, plus more of a chance to interact with the side characters. The crowd for this show was smaller than for Dorian Gray, and I think the group of 30 or so in the audience is the right size for the venue.
After about a 30 minute break where we rested our feet by sitting on the stone steps outside, we went back in for round 2. The Picture of Dorian Gray was the first show I found on the Ed Fringe docket to write about for Victorian and Steampunk inspiration and I was the most excited to see it. Sweeny Todd I had seen as a musical before, but never Dorian Gray and I was intrigued. The story centers on Dorian, a lovely youth seduced by the delectable debaucheries of the Victorian age, his mentor, Lord Henry Wotton, and the painter of his portrait, Basil Hallward. Upon seeing his portrait, he wishes that he could always stay as young and beautiful as it is, and in wishing makes a pact with the devil. Dorian falls in love with an actress, but later rejects her when she wants to quit the stage, which leads to her suicide. When he later looks at the portrait, it has changed and started to become ugly to reflect the decay of his soul while he remains the same.
The three main male roles were perfectly cast, though I think the strain of so many performances was starting show in their voices (and who can blame them!). The music and especially the female chorus voices were lovely (and the “sisters” steal the show), though they sometimes overpowered the male soloists who were singing very low in their ranges, which makes it harder to project in a room without very good acoustics. They were all very true to their roles and stayed in character, even when I saw one audience member start to giggle in Henry’s face during a dramatic moment in the closing number. So, well done to the cast for making the most of a less than ideal situation.
The crowd was larger, and I think on the whole taller, which meant I could not see nearly as well as during the first show. At least half of the action takes place right in front of the band, and so directly in front of a bank of stage lights which also made it harder to see. I would love to see this show again staged as a traditional musical where I could get all the action from start to finish. (I think the best place to stand for this one is near the free-standing gas lights on the near wall as you enter the space.) Because I knew the basic story already (though I haven’t read the original yet) I wasn’t surprised by the turns of events, but I didn’t feel that the dialogue did enough to move Dorian from one stage of his thinking to another. I would have liked to see him first fall in love with his painting and then become jealous rather than his first reaction to be disdainful. I also liked that the homosexual undertones were brought to the forefront, but I found the scene where Dorian and Basil kiss to feel strange and I expected to see Basil more swept up and given hope rather than saddened. But on the whole the acting was very good even if the actors made different choices than I would have.
If you only choose one Victorian Vices show to see, I would say go with Sweeny Todd for the dynamic staging and charismatic Todd and Lovett. Dorian Gray was very well done, it just didn’t work as well in the space. If you have comfy shoes, they are great to see back-to-back for a great night of entertainment. The soundtracks for both shows will be available soon, and I highly recommend them!
Both shows are running from now until the 23rd, so don’t miss your chance to taste a little vice.
Get tickets here: tickets.edfringe.com
Learn more about Another Soup at their website: www.anothersoup.co.uk
Gearing up for Steam Tour: Weekend at the Asylum
I think I may have just snapped up the last affordable room in all of Lincoln last night as I made my arrangements for Europe’s largest Steampunk Convivial, Weekend at the Asylum. If you were thinking about going but you are still on the fence, make sure to get your tickets ASAP! They sold out of the Saturday only wristbands in the last day or so, and the Empire Ball was already sold out weeks ago. I am sorry to miss the ball, but I did get tickets for Lady Elsie’s Fashion Gala (a formal fashion show followed by dancing and socializing) as well as a burlesque event so your favorite Steampunk Roving Reporter will be able to bring you plenty of shenanigans well into the evening during the convention, which runs Sept 12-14. I will be tweeting and posting all weekend, which is also the last weekend of Steam Tour.
The website for the event run by the Victorian Steampunk Society is woefully short of details, but you can get event descriptions and buy tickets here.
Going to be at convention and want to meet, and maybe even pick up youth very own airship bumper sticker? Leave me a comment and we’ll be in touch!
Gearing up for Steam Tour: My Steampunk Edinburgh Fringe Fest Itinerary!
I admit it, I am actually wiggling in anticipation of how awesome Steam Tour is going to be. I booked all my shows for Ed Fringe, ordered my Britrail pass and I am dreaming of all the delicious pub grub in my future.
So here’s the plan for week 1:
۞ Jekyll and Hyde
Main Theatre @ Spotlites @ The Merchants’ Hall
Headlock Theatre
- Sat 9 August, 21:30
And after the performance, let’s meet up for a cocktail at the Jekyll and Hyde Pub nearby! I’ll wear my goggles so you can find me, and I’ll bring some “My Other Beep Beep is a Whoosh” airship stickers along for purchase, just one pound per awesome bumper sticker to show off your steamy side 🙂
۞ Victorian Vices – Sweeney Todd and the String of Pearls
Niddry – theSpace Above @ theSpace on Niddry St
Another Soup
- Mon 11 August, 18:00
۞ Victorian Vices – The Picture of Dorian Gray
Niddry – theSpace Above @ theSpace on Niddry St
Another Soup
- Mon 11 August, 20:00
۞ Whisky Tasting
Bennet’s Bar @ Bennets Bar
Bennets Bar
- Tue 12 August, 14:00
۞ Dolls of New Albion: A Steampunk Opera
Venue 45 @ theSpace @ Venue45
Clockwork Hart Productions
- Tue 12 August, 22:45
۞ 21st Century Poe: Moyamensing
The Vault @ Paradise in The Vault
Marty Ross
- Wed 13 August, 17:50
۞ City of the Dead Haunted Graveyard Tour
Outside St. Giles Cathedral @ Black City of the Dead Signs
Black Hart Entertainment
- Wed 13 August, 21:00
۞ Arthur Conan Doyle Experience
The Sanctuary @ Arthur Conan Doyle Centre
Arthur Conan Doyle Centre
- Thu 14 August, 14:00 (x2)
۞ Morgan & West: Parlour Tricks
KingDome @ Pleasance Dome
Corrie McGuire for Objective Talent U
- Thu 14 August, 19:00
۞ Dorian
Upstairs @ Greenside @ Nicolson Square
The Egg Theatre Company
- Fri 15 August, 10:20
۞ Dracula
Pleasance Beyond @ Pleasance Courtyard
Action To The Word
- Fri 15 August, 21:20
And in addition to the various performances and lectures, there are also several art shows that I can’t wait to check out including Urban Twist: Papercut Artwork and Craft Scotland Summer Show.
The Noble Art of Tea Dueling
Yes, you heard right, I said “tea dueling.” I just found out about this sport because a friend of mine took second place at CONvergence this past weekend in MN (Congrats Michael Sherman!). I am gutted that I had to miss it and MN Comic Con this year because of traveling, but maybe I will get to see some tea dueling at Weekend at the Asylum in September.
Basically, a duel is a game of chicken between two competitors who have dunked cookies into hot tea. Their challenge is to be the last person to get the whole cookie into their mouth before it breaks, so they try to pysch-out the competition before their biscuit ends up in their laps. Sounds like good old civilized fun. Here is a video from DragonCon 2013.
Find out more at the website for the American Society of Tea Dueling at https://www.facebook.com/americanteaduelling




