I admit it, I am actually wiggling in anticipation of how awesome Steam Tour is going to be. I booked all my shows for Ed Fringe, ordered my Britrail pass and I am dreaming of all the delicious pub grub in my future.
So here’s the plan for week 1:
۞ Jekyll and Hyde
Main Theatre @ Spotlites @ The Merchants’ Hall
- Sat 9 August, 21:30
And after the performance, let’s meet up for a cocktail at the Jekyll and Hyde Pub nearby! I’ll wear my goggles so you can find me, and I’ll bring some “My Other Beep Beep is a Whoosh” airship stickers along for purchase, just one pound per awesome bumper sticker to show off your steamy side 🙂
۞ Victorian Vices – Sweeney Todd and the String of Pearls
Niddry – theSpace Above @ theSpace on Niddry St
- Mon 11 August, 18:00
۞ Victorian Vices – The Picture of Dorian Gray
Niddry – theSpace Above @ theSpace on Niddry St
- Mon 11 August, 20:00
۞ Whisky Tasting
Bennet’s Bar @ Bennets Bar
- Tue 12 August, 14:00
۞ Dolls of New Albion: A Steampunk Opera
Venue 45 @ theSpace @ Venue45
Clockwork Hart Productions
- Tue 12 August, 22:45
۞ 21st Century Poe: Moyamensing
The Vault @ Paradise in The Vault
- Wed 13 August, 17:50
۞ City of the Dead Haunted Graveyard Tour
Outside St. Giles Cathedral @ Black City of the Dead Signs
Black Hart Entertainment
- Wed 13 August, 21:00
۞ Arthur Conan Doyle Experience
The Sanctuary @ Arthur Conan Doyle Centre
Arthur Conan Doyle Centre
- Thu 14 August, 14:00 (x2)
۞ Morgan & West: Parlour Tricks
KingDome @ Pleasance Dome
Corrie McGuire for Objective Talent U
- Thu 14 August, 19:00
Upstairs @ Greenside @ Nicolson Square
The Egg Theatre Company
- Fri 15 August, 10:20
Pleasance Beyond @ Pleasance Courtyard
Action To The Word
- Fri 15 August, 21:20
To help me get ready for the H.G. Wells Sourcebook I am going to write for Steam Tour: An American Steampunk in London, I decided to read several of his scientific romances. I read the Time Machine and The Island of Doctor Moreau several months ago, but it is always interesting to read an author’s whole canon in quick succession. My goal is to read War of the Worlds, First Men in the Moon, Tales of Space and Time and The Door in the Wall at minimum before the ezine comes out, but if you think I am missing something even better than what is on that list let me know!
My experience with War of the Worlds was a bit backwards, because I read League of Extraordinary Gentlemen Vol. 2, and the events of that book are closely related to Wells classic tale, and very faithfully adapted it turns out.
Like many of Wells books, this story started as a serial in magazines rather than as a novel from the beginning. The serial ran during 1897 and it was later compiled into a book in 1898. It is divided into two parts, The Coming of the Martians and Earth Under the Martians. The name of the Surrey-based narrator is never revealed, and he tells the harrowing adventure through his eyes as well as through his brother’s account of what happens to London itself when Martians descend and start an invasion.
One thing that I love about Wells stories is how much of the scientific knowledge of the times he includes in his tales. For instance, the arrival of the Martians is preceded by strange explosions visible on the surface of the red planet, and it takes the Martian pods several weeks to arrive to the outskirts of London. It then takes over a day for the metal to cool down enough for the pods to open. In the meantime, people have started to gather and even sell refreshments around the first pit where they crash-landed. I love that detail, and I absolutely believe it would happen that way. Soon, the festival atmosphere turns to terror when the Martians assemble their deadly heat ray, our narrator only escaping because he had been sent on an errand and was not in the pit with the scientists who first try to make contact. Through a series of near-misses and some quick thinking, the narrator survives the first wave of attacks by the be-tentacled Martians and their huge fighting machines, and tells the story of (in his view) the apex of society falling to pieces in the face of a cold and calculating enemy. He is surprisingly pragmatic about the whole affair, often likening the human race to insects or rodents who are disturbed by the machinations of people. This is not true of most of the people he meets on his way though, and there are several different kinds of madness worked into the narrative.
This is a tale of invasion, but also of devotion between a husband and wife, which took me by surprise. I have only just started to look at Wells personal life, but he carried on a number of affairs during his second marriage after divorcing his first wife, so the commitment shown by the narrator seems inconsistent with what I know of the author.
The first time I ever heard of War of the Worlds it was the story of its broadcast on Halloween 1938. The accounts vary, but in the days following several newspapers reported a wave of fearful folks who believed a real invasion was taking place. They opted to present 40 minutes of the hour-long tale as a series of simulated news bulletins, and this coupled with a lack of commercial breaks added to the realism. There was a disclaimer at the beginning of the show, but anyone who tuned in late could have gotten the impression that they were hearing something that was going on in real time. Most likely, the newspaper accounts of a panicked populace were blown out of proportion because of the competition between traditional print media and the new radio technology. (What?! The news was sensationalized? Never!)
I can definitely see why this book has been adapted and re-adapted several times and in different media. The aliens and their technology remains alien and stands the test of time better than say, First Men in the Moon. It is definitely worth a read, not just because it is a classic but because it is a genuinely interesting social commentary that transcends the time in which it was written.
Have you read it or seen a movie version? What did you think?
The Statue of Liberty, or Liberty Enlightening the World as it is really titled, is among the most iconic landmarks our little blue and green sphere has to offer. My favorite day of my NYC vacation was the one we spent on boats going around the bay and to Liberty Island and Ellis Island. I thought I knew the whole story of this copper colossus, but I learned some great stuff during my visit.
So where did that big green lady come from?
It all started in France. Ostensibly, the statue was a way to mark the friendship between the US and France, and to acknowledge the love of liberty they shared. In reality, it was a resounding raspberry directed at the leadership in France, Napolean the Third. Nap III, as I like to call him, was actually elected to the presidency through a popular vote, but when he was told he could not run for a second term he led a coup and got himself kingafied like his dear old uncle before him. So this huge investment in time and resources was a metaphorical middle finger to Nap III and his total bulldozing of liberty as much or more than a nice gesture to the US. She is facing France directly, her unwavering gaze falling on the very people who, in the eyes of the project directors, were violating liberty the most.
The projected completion date was 1876 to commemorate the 100th anniversary of American independence, but it hit a few hiccups along the way and it was not actually erected until 10 years after the original goal date. As you can imagine, creating a statue that not only measures over 300 feet tall take a lot of engineering imagination, but this statue also had to be able to travel across the ocean and be reassembled on the other side. As an added challenge, the US was in charge of making the pedestal, so the French sculptor Frederic Auguste Bartholdi couldn’t know exactly what to expect when he reached Liberty Island. The torch-bearing forearm of Lady Liberty made an appearance at the 1876 in Philadelpia, and was then displayed in Madison Square Garden until 1882, and the head was a part of the Paris World’s fair in 1878.
In addition to Bartholdi, whose Bartholdi Fountain can still be seen in the US Botanical Garden, such notables as Joseph Pulitzer and Gustave Eiffel also were involved in the construction. Pulitzer was integral to the fundraising effort to complete the base and got the funds by advertising the chance to get your name in the newspaper for any size contribution to the cause. At that time, newspapers were a fairly new commodity, and hundreds of thousands of people sent in their pennies to see their names in print. Eiffel was brought in to assist Bartholdi with the huge feet of engineering the skeleton for the statue, and he created a structure that not only could support the weight of the copper sheets that made up her skin, but would also allow it to expand and contract with the change in seasonal temperatures as well as sway slightly in the high winds of New York’s harbor.
There are many more statues on Liberty Island than just the lady herself. Phillip Ratner created a series of Rodin-like bronzes commemorating those men and women who contributed the most to the completion of the monument.
When the statue was finally ready for its inauguration only men were allowed to attend the ceremony. Angry ladies commissioned boats and led a protest at sea during the event. This is especially ironic given that the famous poem, The New Colossus, was written by a female poet, Emma Lazarus. It was written and donated as part of the fundraising campaign for the pedestal, and now graces the pedestal itself. But Emma herself was barred from attending.
Here is the poem:
Not like the brazen giant of Greek fame,
With conquering limbs astride from land to land;
Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
“Keep, ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!”
I have run across one reference in Steampunk literature so far to the statue of liberty as seen by dirigible in The Girl in the Clockwork Collar (Steampunk Chronicles 2). Have you run across any in your Steampunk wanderings? Let me know so I can add them to this post.
Enjoy this gallery of the statue as it was being built, as it appears today and with some fun variations by different artists. If I am missing a credit and you know who did a particular piece, please let me know!
Check out more more Circulus videos at their youtube channel: https://www.youtube.com/user/CirculusTV
I am really happy with my newest experiment! What do you think?
Once I figured out out how to do a hot air balloon I knew I couldn’t stop there! Here is my first (though definitely not my last) attempt at a 3D dirigible/airship. This shadowbox measures 12” x 12” and the back is finished so it can hang on the wall or stand alone on a shelf. I used a combination of glossy and matte papers, but the shiny parts aren’t nearly as shiny in person as they look on the photos. I have a light source directly above my photo area that can give a false impression with its glare.
Each 12 x 12 shadow box takes approximately 10 hours to complete. They start their lives as canvases and are covered by cardstock and paper, then embellished with mixed media accoutrements. I made the dirigible and the boat using a similar method to my Christmas ornaments. Check out the tutorial here.