Steampunk Sourcebook: The Illusionist
Illusions are all about making an audience believe the impossible. Magicians can accomplish this through sleight of hand, misdirection and clever technology. Innovative and deceptive designs makes the turn of the century magician a great trope of steampunkery. At left, Eisenheim (Edward Norton) is seen pondering in his workshop where this son of a cabinet-maker aspires to and achieves greatness.
Most of this romantic drama centers on the relationship of Eisenheim and his childhood love, Sophie, who is being made to marry the crown prince of Austria. The special effects are beautiful and based on magic tricks that were really performed during the 20th century.
Fun Facts and Context:
۞ The film was based on a story that appeared in a volume of short stories called The Barnum Museum (1990). This was in reference to Barnum’s American Museum, an American attraction of oddities popular in the 1840s-1860s.
۞ The tale is called Eisienheim the Illusionist by Steven Millhauser. You can read the full text here.
۞ The romantic intrigue with Jessica Biel‘s character that drives the film is completely absent from the original story. The police become interested in Eisenheim because of the disappearance of a rival magician.
۞ The film is told from the perspective of Walter Uhl (played by Paul Giamatti), a police inspector.
۞ Giamatti spends most of the film flashing back over his investigation for the benefit of Prince Leopold of Austria (played by Rufus Sewel). Leopold was not a real person, but is based on Rudolf, the crown prince of Austria who died at the age of 30 in 1889. Rudolf had a mistress who died under shadowy circumstances like the Sewel character.
۞ The filmmakers wanted to capture to beauty and awe of watching a master illusionist, so many of most impressive tricks are done with computer graphics to achieve what the Eisenheim of the original story had been able to do. But, you can see a video of a real mechanical orange tree illusion here.
۞ Edward Norton did perform many of his own sleight of hand tricks, but his hands were sometimes portrayed by his double, James Freedman.
I’ve created a gallery below featuring images both from the turn of the century and contemporary portrayals of Steampunk magicians and illusions.
Of course, I can’t talk about The Illusionist without giving a shout out to The Prestige. I will do another sourcebook entry for The Prestige in particular, but I wanted to know from you, my readers, which movie you prefer. Weigh in below by commenting on this post and make sure to say why you picked the film you did.
Gingersnap Creations: Valerie Brincheck
Gingersnap Creations: July Muse Showcase: Valerie Brincheck.
PBS’ The Paradise is Chock-full of Victorian Fashion to Inspire Your Steampunk Designs
(Image from http://www.janeaustenfilmclub.blogspot.com)
One place you can always count on for period pieces and beautifully constructed costumes is the Masterpiece Theater on PBS, and The Paradise is no exception. Set in an 1870s shopping Mecca, this series is a veritable parade of inspiration for Steampunk fashion. The hats alone already have my mind whirring! And as the visionary store owner, John Moray says “how can such beautiful women ever have enough beautiful things?”
Before the Victorian era, all clothing was sewed by hand. The industrialization of the garment industry led to a growing collection of “ready-made” dresses, but the upper class ladies were slow to move away from their couture gowns. This is one of the hurtles that the staff of The Paradise must overcome, and fast-thinking shopgirl Denise is able to make the “hard sell” from the very beginning.
“This isn’t a shop. This is a kind of heaven!” cries one of their customers. Keep in mind there was no such thing as Harrod’s or Macy’s in the form we know it today until the 1890s, so the convention of a store that caters specifically to women and their buying power was all but untapped of at this time.
You can see full episodes on PBS’s website by clicking here and scrolling to the bottom of the page for Episode 1.
Building an Anatomy of Steampunk (Book)
“Steampunk style has become synonymous with many things as it has become more pervasive in popular culture, for good and ill: 19th-century, retrofuturism, neo-Victorian, colonialism, stuff white people like. What the steampunk community needs is a game-changer: more examples of what steampunks are really doing, and why does this subculture fit their wheelhouses. When you’re an outsider looking in, however, how can you avoid being blindsided by what has become the “tropes of the genre” (gears, goggles, pith helmets, and all)?”
Follow the link for the full article.
Æther Feature — Building an Anatomy of Steampunk—An Insider’s View.
Mood Swings: Bob Dylan’s New Art Exhibit “Swings” Towards Steampunk
As if “Bobby D” couldn’t get any awesomer, it turns out he has a new exhibit opening today at London’s Halcyon Gallery. The photos of his studio made me absolutely drool over his shelves of scrap metal bounty. His show centers on gates made of scrap gears, and he had this to say about his inspiration:
“Gates appeal to me because of the negative space they allow. They can be closed but at the time they allow the seasons and breezes to enter and flow. They can shut you out or shut you in. In some ways, there is no difference.”
I noticed a comment on the Gizmodo article lamenting the application of the label Steampunk to his work because Dylan uses steel instead of cast iron. Does that mean that clothes containing lycra can’t be Steampunk? Or that “real” Steampunk makeup would include zinc oxide powder even though its poisonous? Steampunk is an aesthetic that often (though obviously not always) includes the appearance and outlines of clockwork, not unlike Dylan’s exhibition Mood Swings.
Source: http://gizmodo.com/hey-did-you-know-bob-dylan-is-a-steampunk-metalworker-1462363371






















