Okay, okay, these lovely burlesque dancers are still pretty modest by today’s standards, but I find the primness of the steam era often overshadows the diversity of human experience. People were engaging in all kinds of behaviors and enjoying many different forms of entertainment back then the same way they do now. I ran across this collection of photos on The Daily Mail, and I couldn’t wait to share them with you! (For the Daily Mail article click here.)
In case you haven’t checked my About the Author page yet, I first learned about Steampunk because I have a friend who is a burlesque dancer and she was in a themed show a few years ago. She taught me both about burlesque and Steampunk before I saw her show and I am definitely hooked on both now. Going to see a burlesque show is not at all the same as going to a strip club. The word has its roots in the italian word, burla, meaning “mockery”, and has more in common with a vaudeville show than a seedy bar. Though it is true that people remove their clothing for the sake of entertainment, you will often see jugglers, magicians, comedians, singers and dancers in addition to the main event. The tone of a burlesque strip tease is also totally different than say, a lap dance at a bachelor party. Burlesque dancers actively engage the audience and solicit applause for each piece they remove before they will move on. There is a flirty exchange between dancer and onlookers, and I have seen several acts that are totally tongue in cheek and are as much about making the crowd laugh as it is about undressing.
If you have never been to a show, I absolutely encourage you to see one. I have been to several shows in two different countries and it is always a great time.
I recently learned a totally amazing word. “Vellichor” was invented by John Koenig to mean “the strange wistfulness of used bookstores, which are somehow infused with the passage of time…” I am sure many of you have experienced this even if you didn’t have the word for it. I have been away from the United States for a year now, I am definitely in used bookstore withdrawal. I miss going on my little treasure hunts for science fiction and fantasy books, and of course, Steampunk books in particular. It seems an especially apt word for today’s review of a book that is also focused on the passage of time (or in fact, times).
I managed to pick up a yellowing copy of The Warlord of the Air just before I left America, and I have been carting it around from country to country. I finally got a chance to read it on a long day of travel as I was leaving Sofia, Bulgaria and it was well worth the wait. This is the first in Michael Moorcock’s A Nomad of the Time Streams trilogy, which were published between 1971 and 1981.
The tale is framed as a story that was told to Moorcock’s fictional grandfather of the same name, who recorded Bastable’s adventure while on holiday on a tiny island in 1903. He sees Bastable for the first time when he is forcibly ejected from a ship where he had stowed away, and is left to fend for himself. As much out of boredom as charity, “Moorcock Sr.” takes the stranger under his wing and invites him to come back to his hotel for a meal. After some coaxing, Bastable starts to tell him about his life, and they end up locked in the room for three days while the story is recorded.
At the outset, Bastable is on a peace-keeping mission for the British army in 1902. He and a few other officers are invited into the sacred city of Teku Banga to negotiate with the king who reigned over this millennia-old society. They are led into the labyrinthine Palace of the Future Buddha and drugged by their host. When Bastable realizes the trick, and the others flee the chamber where they are eating with the king, and soon become lost in the tunnels under the palace. Something happens to him in the pitch-blackness and he loses consciousness.
When he awakes, he simply believes that there has been an earthquake, but the truth is far stranger than he could have imagined. The city around him lies in ruins, but this is old destruction and his clothes hang off him in aged tatters. Eventually, he finds out that he was been somehow transported to the year 1973, but no 1973 that you or I might recognize. The British Empire has continued to grow and flourish in the absence of WWI, spreading “civilization” throughout the globe. But as Bastable finds after joining the Airship police, the peace is only surface-deep and in many places terrorists and rebels are trying to throw off the yolk of oppression.
Alternate histories are some of my absolute favorite stories to read, and this one did not disappoint. It was fairly short, but also very insightful, which is an excellent combination. Moorcock has a unique perspective on history, both real and invented, and I definitely recommend that you give his work a try. I recently started reading a new compilation of short stories called The Time Traveler’s Almanac, and I was also thoroughly delighted by Moorcock’s Pale Roses. I look forward to getting back to the States in a few months, where I can resume my hunt for the rest of Moorcock’s books in the series.
Have you ever read anything by Moorcock? What did you think?
There almost as many definitions of Steampunk as there are Steampunk enthusiasts, so here just a few of the short videos floating around youtube that try to answer the question, “What is Steampunk?”
“Emperor Norton’s Stationary Marching Band combines the rich musical history of the circus and the vagabond peoples of Europe with the raw energy of avant-garde jazz, the burning heat of funk and the irreverence and fun of today’s Vaudeville for a sound that is somehow familiar yet like no other. Label them anyway you like! Call them avant world fusion, call them experimental big band, call them gypsy steamfunk, call them circus noise! They may be tough to sum up, but it’s easy to tell you they’ll show you a good time and they’ll get a crowd dancing!” Read more
You can catch their next show on March 16 at the Steampunk World’s Fair in New Jersey!
There is some debate about whether or not something can truly be called “Steampunk” if it was created before the term was coined in 1987. Personally, I like to include all kinds of things under that umbrella if they feature motifs and styles that would appeal to Steampunk fans no matter when they were made. Remedios Varo was a Spanish artist who lived from 1908-1963, and her beautiful artwork could certainly fit into the Steampunk canon even though it predates the movement by decades. She is clearly influenced by Gothic and Surrealistic styles, as well as by the works of other Spanish artists such as Pablo Picasso and one of my personal favorites, “El Greco” who was active during the late 1500s and early 1600s. Here is a sampling of her artwork to inspire your own creations.
A great opportunity and discount for people planning ahead for the 2016 International Steampunk Symposium in Cincinnati. I’ve already got my room reserved! Will I see any of you there?