Hansel and Gretel: Witch Hunters (2013) is Perfect for Your Steampunk Halloween
In my last movie post about an awesome…ly bad Sherlock Holmes flick I introduced the idea of a mockbuster. I think Hansel and Gretel: Witch Hunters may actually deserve to crowned as mockbuster royalty. I found not one, or two, but three other films that came out during 2012-2013 that have something to do, however loosely, with the Grimm’s fairy tale. I watched the trailers for Hansel and Gretel: Warriors of Witchcraft (starring real life brother and sister, wait for it, Fivel and Booboo Stewart), Hansel & Gretel (a nasty-looking horror flick by Asylum Pictures) and Hansel & Gretel Get Baked (a half comedy-half horror stoner parody) and none of them are the least bit Steampunk, so accept no substitutions.
Hansel and Gretel: Witch Hunters stars Gemma Arterton (Quantum of Solace, Clash of the Titans) and Jeremy Renner (The Avengers, The Bourne Legacy), as well as one of my favorite character actors, Peter Stormare (Brothers Grimm). The original story was published in 1812, but with the delightful mish-mash of technology in this movie it is hard to place it in time.
In the Grimm’s fairy tale Hansel and Gretel’s evil stepmother convinces their father to abandon them in the woods because there isn’t enough food to go around. They find their way back once by leaving a trail of pebbles, but the second time their breadcrumb trail is eaten by birds and they end up at a house made of candy. They defeat the witchy homeowner and when they find their way back to their own dwelling the wicked stepmom has died of unknown causes. Luckily, the kids found gems at the witches’ abode so their money problems are over, and it ends happily ever after (except for the witch and the stepmother, of course).
In the 2013 movie’s version of events, the kids are left in the forest by their parents for an unknown reason, and they still defeat their “hostess of the grossest” but the story doesn’t end there. They discover during their struggle they should “1. never go into a house made of candy and 2. if you are going to kill a witch, set her ass on fire,” but also that they are immune to witch’s spells. They go on to become professional witch hunters and are called to the town of Augsburg to investigate a spate of disappearances. It turns out the local witches are a-brewing a plot to make themselves immune to fire, and they need 12 kids as well as another secret ingredient to do it. In order to find out what really happened to their parents, the siblings must face the Grand Witch Muriel (Famke Janssen) and defeat her before she can carry out her dastardly plot.
In my head I put this movie into the same dark-but-fun category as Van Helsing and Brothers Grimm, but it definitely has a higher gore-factor and earns its R-rating for violence. So if you are squeamish when it comes to blood, you might want to give this one a pass. Of course, that is part of what makes it a perfect movie for your Halloween fright fest 🙂
Steampunk Movie Review: Sir Arthur Conan Doyle’s Sherlock Holmes (2010)
That’s right, there was another Sherlock Holmes movie that came out around the same time as the Robert Downey Jr. movie I reviewed last week. Didn’t hear about it? I am not at all surprised.
I am a huge fan of what I call “shitty-good” movies (pardon my language, but it is utterly appropriate!) These are films that you can’t help but laugh at even though they are not meant to be comedies. The Mister and I spend a lot our time wading through the sea of crappy movies out there giving them the old Mystery Science Theater 3000 treatment. That is to say, we crack wise throughout at the terrible special effects, mediocre writing, atrocious acting and blatant continuity errors, often aided by a glass or two of our favorite adult beverages. (If you aren’t familiar with MST3K but you also enjoy terrible old movies, you MUST find them on youtube. They were shot near my hometown in MN and aired until 1999.)
Sir Arthur Conan Doyle’s Sherlock Holmes, which is the first role for Ben Syder (“Robert” Sherlock Holmes. Yes, you read right, apparently his name is really Robert) and also features Torchwoods’ Ianto Jones (Gareth David-Lloyd) as Watson, is just such a movie. It falls firmly into both the mockbuster (a low-budget film piggy-backing the publicity of a better-known movie) and Steampunk camps. I decided to watch it as part of my Halloween Extravaganza this month, both because I am working on my Sherlock Holmes article for Steam Tour: An American Steampunk in London and because it promised me a plot full of monsters. As a Sherlock Holmes film it pretty much failed miserably, but as a movie centered on futuristic technology in the Victorian era it deserves a mention.
The story begins when a sailing ship is taken out by a Kraken-like tentacled monster. In the next scene, we get to see a dinosaur inexplicably interrupt a rendezvous with a lady of the night. So monsters, check. Sherlock is tortured by the fate that befell his brother Thorpe (yep, they didn’t even bother to get his brother’s name right), who became paralyzed after he was shot while trying to foil a bank robbery several years earlier. So ‘punking’ literature, check. After some watered-down deductions, Holmes and Watson (in the least well-fitting waistcoat of all time) find their way to a country estate where they discover the monsters are actually automatons crafted by a thoroughly ticked off Thorpe (Dominic Keating), who is bent on revenge against London, the city that forgot him, and his former partner, Inspector Lestrade. He uses his (okay, pretty awesome) mechanical dragon to wreak havoc on the masses while another automaton delivers a bomb straight to the gates of Buckingham palace. Oh yeah, and there is totally a hot air balloon/helicopter hybrid vs. mechadragon fight scene.
As I said before, this is not a “good” movie by any stretch, but it is a campy movie with undeniably Steampunk tendencies. This is definitely a popcorn movie, that is, if the shaky camera work they use to signify an action sequence doesn’t make you seasick first.
It is currently available on American Netflix, but can anyone tell me if you can get it in Britain?